"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVII, No.33 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-50 ARTICLE: 1. Arunachal Pradesh 2. Discovery of Sanskrit in Europe 3. The Naxalites 4. The Palamau National park 5. Brain Drain In India 6. Restructuring of Foreign Trade AUTHOR: 1. M. L. Bose 2. Dr. S. S. Janaki 3. Balraj Mehta 4. Sumanta Banerjee 5. Marie Palit 6. Balraj Mehta KEYWORDS : 1.Endless panorama, social organisation,dark veil 2.Father of indology, taming point, 3.Bold steps needed,'the foreign 4.The split, character assassination, 5.Exciting adventure, delightful experience, Document ID : APE-1972 (J-S) Vol-II-06 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

A study of drug use in India especially among youth and women.

Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.

Eknath Ranade was a spirit behind the magnificent mid-sea Vivekananda Rock Memorial and founder of the Vivekananda Kendra.