This exhibition catalogue accompanies "Yto Barrada: The Dye Garden" originally presented at the American Academy in Rome in 2018 and expanded for the Neuberger Museum of Art in 2019. "The Dye Garden" features recent work by Barrada, whose artistic practice weaves together family history and broader sociopolitical narratives, employing a variety of media, including photography, film, video, installation, sculpture, books, and hand-dyed textiles. The artist has long investigated gestures of resistance to structures of power and control. She has an abiding interest in mechanisms of displacement and dislocation, as well as questions of appropriation and authenticity.This fully-illustrated, catalogue includes essays by exhibition co-curators Helaine Posner, Chief Curator, Neuberger Museum of Art and Peter Benson Miller, Curator and former Andrew Heiskell Arts Director at the American Academy. An artist's contribution by Yto Barrada titled "Color Walks" is a special feature of this book.Yto Barrada is the 2019 recipient of the Neuberger Museum's 2019 Roy R. Neuberger Prize.

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.

Handbook on how to avoid boredom by doing fascinating things that todays children's parents did when they were kids.

Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers--including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others--hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration.

A GUIDE TO TREES: Yto Barradas Künstlerbuch steht in der satirischen Tradition Jonathan Swifts. Es ist als vermeintlich von einem anonymen, bescheidenen Bürokraten geschriebene Anleitung konzipiert, die die Leser auf eilfertige Weise darüber aufklärt, wie sie ihre Stadt anlässlich des Besuchs eines hochrangigen Gastes präparieren sollten. Scheinen die gegebenen Anweisungen auf den ersten Blick vernünftig, zeigt sich bei näherem Hinsehen, dass diese patriotischen Potemkin'schen Dörfer ein fauler Zauber sind.

This richly illustrated volume invites us to think afresh about urban life and the modern city by offering images and analyses of two very different but complementary contemporary cities: the planned Indian city of Chandigarh and the ancient metropolis of Casablanca--the ancient North African harbor town developed into a modern metropolis by Michel Ecochard and a team of young French and Moroccan architects after World War II. Countering the dominant view of modern urbanism that values avant-garde ideas originating in the West over developments in non-Western regions, the book offers a more nuanced approach to the history of the modern city, and to the relationship between local knowledge and imported ideas in the rapid globalization that followed World War II. Ultimately, by focusing on the design and inhabitation of the cities' public spaces and housing, the book locates the essence of the modern city in its ordinary fabric and everyday life--which shifts our understanding of architecture and planning, enabling us to see it as a collective work that is necessarily the result of negotiation among a variety of actors. Chandigarh Casablanca is published to coincide with an exhibition at the Canadian Center for Architecture in Montreal.