In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with former editors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement.

Allie Richards has always dreamed of having her own landscaping business and her Pinky Promise girlfriends convince her to enter Shady Grove's Beautiful Town Landscaping Competition. Daniel Montgomery, the man behind the camera who is filming the competition, is after more than just a story. Will he be satisfied with anything less than Allie's heart?

Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.

Soul to Sisterhood is an invitation for readers to fall in love - or deeper in love - with themselves, their lives, and their relationships. With 36 autobiographic stories, 108 universal themes for self-reflection, and 180 experiential activities, this book offers hundreds of transformational opportunities that can be done individually or shared with friends and family. Readers can step into their cyclical Lunar Wisdom, get to know themselves better by connecting to their Chakras, and raise the vibe of their relationships with playful practices... all while remembering the timeless yet potent wisdom that they are not alone. The women featured in these pages hold up the mirror for readers to reclaim and reignite their passions, purpose, and desires. The engaging Sacred Play Suggestions open the doors of replenishment and rejuvenation. The Themes support readers as they release unwanted patterns and old belief systems. This book is a must have for women interested in recreating and reviving their connection to empowerment, oneness, and their Higher Self. Soul to Sisterhood is about extraordinary women triumphing over extraordinary things. Soul to Sisterhood is you!

After spending Thanksgiving with their loved ones on Big Pine Mountain, the ladies of the Sisterhood prepare to assist attorney Lizzie Fox in breaking up an illegal baby-selling ring.

Despite having jobs and men that they love, Tibby, Lena, Carmen, and Bridget know something is missing: the closeness that once sustained them. Carmen is a successful actress in New York, engaged to be married, but misses her friends. Lena finds solace in her art, teaching in Rhode Island, but still thinks of Kostos and the road she didn't take. Bridget lives with her longtime boyfriend, Eric, in San Francisco, and though a part of her wants to settle down, a bigger part can't seem to shed her old restlessness. When Tibby sends the others plane tickets for a reunion they all breathlessly await, it will change their lives forever, but in ways none of them ever expected. The traveling pants are gone, but the sisterhood lasts forever.

In an attempt to secure the pardon promised to them by the new president, the women of the Sisterhood make plans to evade the Secret Service and infiltrate the White House.