Sunny Taylor is an American nurse who hides behind a mask of crisp professionalism at a Finnish convalescent hospital called Suvanto. On a late-summer day, a new patient arrives on Sunny's ward, and soon Suvanto's reliable calm begins to show signs of strain. As summer turns to fall, and fall to a long, dark winter, the escalating menace of Your Presence Is Requested at Suvanto - Maile Chapman's astonishing debut novel - builds to a terrifying conclusion.

In this inspiring collection of essays, a range of award-winning, established and newly published writers offer highly personal accounts of their creative processes. Authors reveal the anxieties, considerations and discoveries that shaped their own first novels, arming new writers with practical advice, focus and inspiration. The book's final section presents the perspectives of an agent, a publisher and an author on the business of publishing a first novel. Writing a First Novel offers an illuminating read for both aspiring and seasoned writers. It contains contributions by: - Hanif Kureishi - Valerie Martin - Johanna Skibsrud - David Vann - Maile Chapman - Edward Hogan - Kishwar Desai - Wena Poon - Alison MacLeod - Andrew Cowan - Jane Rusbridge - Isabel Ashdown - Helon Habila - David Swann - Soumya Bhattacharya - Jane Feaver - Hannah Westland - Helen Garnons-Williams - Lionel Shriver

"Delightful... elegant prose and discussions that span the history of 2,000 years of literature."—Publisher's Weekly A novel is a story transmitted from the novelist to the reader. It offers distraction, entertainment, and an opportunity to unwind or focus. But it can also be something more powerful—a way to learn about how to live. Read at the right moment in your life, a novel can—quite literally—change it. The Novel Cure is a reminder of that power. To create this apothecary, the authors have trawled two thousand years of literature for novels that effectively promote happiness, health, and sanity, written by brilliant minds who knew what it meant to be human and wrote their life lessons into their fiction. Structured like a reference book, readers simply look up their ailment, be it agoraphobia, boredom, or a midlife crisis, and are given a novel to read as the antidote. Bibliotherapy does not discriminate between pains of the body and pains of the head (or heart). Aware that you’ve been cowardly? Pick up To Kill a Mockingbird for an injection of courage. Experiencing a sudden, acute fear of death? Read One Hundred Years of Solitude for some perspective on the larger cycle of life. Nervous about throwing a dinner party? Ali Smith’s There but for The will convince you that yours could never go that wrong. Whatever your condition, the prescription is simple: a novel (or two), to be read at regular intervals and in nice long chunks until you finish. Some treatments will lead to a complete cure. Others will offer solace, showing that you’re not the first to experience these emotions. The Novel Cure is also peppered with useful lists and sidebars recommending the best novels to read when you’re stuck in traffic or can’t fall asleep, the most important novels to read during every decade of life, and many more. Brilliant in concept and deeply satisfying in execution, The Novel Cure belongs on everyone’s bookshelf and in every medicine cabinet. It will make even the most well-read fiction aficionado pick up a novel he’s never heard of, and see familiar ones with new eyes. Mostly, it will reaffirm literature’s ability to distract and transport, to resonate and reassure, to change the way we see the world and our place in it. "This appealing and helpful read is guaranteed to double the length of a to-read list and become a go-to reference for those unsure of their reading identities or who are overwhelmed by the sheer number of books in the world."—Library Journal

Adventure is just a book away as bestselling author Nancy Pearl returns with recommended reading for more than 120 destinations — both worldly and imagined — around the globe. From Las Vegas to the Land of Oz, Naples to Nigeria, Philadelphia to Provence, Nancy Pearl guides readers to the very best fiction and nonfiction to read about each destination. Even within one country, she traverses decades to suggest titles that effortlessly capture the different eras that make up a region’s unique history. This enthusiastic literary globetrotting guide includes stops in Korea, Sweden, Afghanistan, Albania, Parma, Patagonia, Texas, and Timbuktu. Book Lust To Go connects the best fiction and nonfiction to particular destinations, whether your bags are packed or your armchair is calling. From fiction to memoir, poetry to history, Nancy Pearl’s Book Lust to Go takes the reader on a globetrotting adventure — no passport required.

When we speak of grey as a location, placing a thing into a grey area, the color represents territory where the definite becomes lost. Grey lets us know that the truth is not always clear; even the most well-known paths can turn strange when a low grey cloud of fog rolls in. Grey is an act of subtraction, the loss of sun, joy, and color. Regrets are the natural property of grey hairs, said Dickens. Since grey is a symbol for the loss of youth, it seems a fitting issue for a theme about youth who are lost. Getting lost is one of the most widely used narrative vehicles of all time. Once characters become lost, they can stumble upon anything—it’s a light-speed bullet train between credibility and suspension of disbelief. Falling down a rabbit hole or stepping off the trail in a labyrinthine wood can transport a character to another world entirely in a manner of seconds. When a protagonist starts to get lost, something exciting is about to happen.

Mistaking an ad to join the titular The Loneliest Band in France for one to sell his blood, Migara de Silva, the novella’s narrator — a Sri Lankan student, new to Montpellier — finds himself, instead, under the sway of the band, drinking heavily and being recruited to play a battle-of-the-bands-esque concert (that night) at the local Café Bovary with its four members: Noël, Guy, Lucien, and Michel. Not only is there prize money attached to the concert, the bandmates also see this as an opportunity to debut a new song, one, they claim, that can hurt — even kill — its listeners.