A spirited glimpse at the childhood of one of the world's greatest artists and thinkers: Leonardo da Vinci.

"Jean-Pierre Isbouts and Christopher Heath Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to The Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-size copies of The Last Supper, now in Belgium and the UK, were actually commissioned by the French king Louis XII and painted under Leonardo's direct supervision."--Publisher's description.

Da Vinci's Cases: Three Adventures of Young Leonardo Da Vinci's Cases by Alfred Bekker 360 pages Three mysterious adventures of young Leonardo da Vinci: Leonardo and the Mystery of the Villa Medici Leonardo and the Conspirators of Florence Leonardo and the Mystery of the Alchemist The year 1462, location: the small village Vinci near Florence: Ten-year-old Leonardo and his friend Carlo experience a lot of adventures: a spy must be unmasked, the boys are kidnapped by disguised bandits and a testament has disappeared. Leonardo and Carlo need to find a solution in all cases. Alfred Bekker, born in 1964, writes fantasy, historical novels, criminal novels and books for young readers. His historical adventures for young readers are full of suspense, stuff which even kids who hate reading cannot resist.

ISSN: 2397-9607 Issue 218 ÿ In this 218th issue of the Baba Indaba?s Children's Stories series, Baba Indaba narrates the story of the Boyhood of Leonardo da Vinci. From his birth in the village of Anchiano, north of Florence, to his move to Milan and the creation of his mechanical Lion for Francis I., King of France and to his travels around France painting portraits to designing and improving the battlements of many castles ? and there is more?.. To read the story of the life of Leonardo, you are invited to download the story here. ÿ 33% of the profit from the sale of this book will be donated to charities. ÿ INCLUDES LINKS TO DOWNLOAD 8 FREE STORIES ÿ Each issue also has a "WHERE IN THE WORLD - LOOK IT UP" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story. HINT - use Google maps. ÿ Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories".

Leonardo da Vinci is often presented as the 'transcendent genius', removed from or ahead of his time. This book, however, attempts to understand him in the context of Renaissance Florence. Larry J. Feinberg explores Leonardo's origins and the beginning of his career as an artist. While celebrating his many artistic achievements, the book illuminates his debt to other artists' works and his struggles to gain and retain patronage, as well as his career and personal difficulties. Feinberg examines the range of Leonardo's interests, including aerodynamics, anatomy, astronomy, botany, geology, hydraulics, optics, and warfare technology, to clarify how the artist's broad intellectual curiosity informed his art. Situating the artist within the political, social, cultural, and artistic context of mid- and late-fifteenth-century Florence, Feinberg shows how this environment influenced Leonardo's artistic output and laid the groundwork for the achievements of his mature works.

Highlights the personal life and professional career of the young native Californian actor, Leonardo DiCaprio.

Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking reexamination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio--specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.