Worldwide interest in Yiddish has often concentrated on its secular forms of expression: its literature, its theater, its journalism and its political-party associations. This all-encompassing study, covers these phenomena as well as investigating the demographic and political mushrooming of Yiddish-speaking Ultra-Orthodoxy, both in America and in Israel. As the title suggests, this volume attempts to show that Yiddish is now finally on the path towards recovery. The volume consists of 17 papers grouped into five sections: Yiddish and Hebrew: Conflict and Symbiosis; Yiddish in America; Corpus Planning: The ability to change and grow; Status Planning: The Tshernovits Conference of 1908; Stock-taking: Where are we now? Each section is prefaced by an introduction. In addition there are also five papers written in Yiddish. The work emphasises an empirical and theoretical approach to the growing Ultra-Orthodox sector, that until now, has largely been ignored. Fishman's interest in Yiddish (among other Jewish languages) has previously been difficult to access and it is hoped that the appearance of this book will go some way toward alleviating this situation. The volume also includes a statistical appendix bringing together data on Yiddish for the past 100 years from the Czarist Empire, the USSR, Poland, Israel, the USA, and other parts of the world. This extensive and enlightening study should be of interest to sociolinguists and all those engaged in efforts on behalf of small languages everywhere.

Whenever Ruth and Sammy visit their grandparents, they get to brush up on their Yiddish. This Jewish language, a blend of German and Hebrew, is full of words that are fun to say: words like shvitz (sweat), feh! ("It stinks!"), and schmaltz (fat). Ruth and Sammy look forward to spending time with relatives. As Ruth would say, until they arrive at their grandparent's house, they are on shpilkes (pins and needles)! Actress Ione Skye drew upon her childhood experiences in this story of family ties, cultural exploration, and adventures under the sunshine.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution, and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noise offers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.

A child born in an east European Jewish community retains his memory of life in Paradise in this novel based on Yiddish folklore.

A momentous and diverse anthology of the influences and inspirations of Yiddish voices in America—radical, dangerous, and seductive, but also sweet, generous, and full of life—edited by award-winning authors and scholars Ilan Stavans and Josh Lambert. Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak’s Where the Wild Things Are based on Holocaust survivors? And how has Yiddish, a language without a country, influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, edited by award-winning authors and scholars Ilan Stavans and Josh Lambert. It starts with the arrival of Ashkenazi immigrants to New York City’s Lower East Side and follows Yiddish as it moves into Hollywood, Broadway, literature, politics, and resistance. We take deep dives into cuisine, language, popular culture, and even Yiddish in the other Americas, including Canada, Argentina, Cuba, Mexico, and Colombia. The book presents a bountiful menu of genres: essays, memoir, song, letters, poems, recipes, cartoons, conversations, and much more. Authors include Nobel Prize–winner Isaac Bashevis Singer and luminaries such as Grace Paley, Cynthia Ozick, Chaim Grade, Michael Chabon, Abraham Cahan, Sophie Tucker, Blume Lempel, Irving Howe, Paula Vogel, and Liana Finck. Readers will laugh and cry as they delve into personal stories of assimilation and learn about people from a diverse variety of backgrounds, Jewish and not, who have made the language their own. The Yiddish saying states: Der mentsh trakht un got lakht. Man plans and God laughs. How Yiddish Changed America and How America Changed Yiddish illustrates how those plans are full of zest, dignity, and tremendous humanity. Most of all, the book shows us that Yiddish, far from being an endangered language, is more vibrant than ever. Praise for How Yiddish Changed America and How America Changed Yiddish: “A wide-ranging, eclectic anthology of work by Yiddish writers. Stavans and Yiddish Book Center academic director Lambert have assembled an impressive collection of essays, fiction, drama, memoir, poetry, cartoons, and interviews, all showing how ‘Yiddish is so deeply woven into the fabric of the United States that it can sometimes be difficult to recognize how much it has transformed the world we live in today.’... Among all these are some stunners—e.g., ‘Oedipus in Brooklyn,’ a story by Blume Lempel (1907-1999) that begins with the line, ‘Sylvia was no Jocasta.’ Emma Goldman (1869-1940) writes fiercely about marriage, which she compares to an ‘iron yoke.’ In a poem about Coney Island, Victor Packer (1897-1958) writes, ‘Beauty and crudity / Go hand in hand and / Launch a united front / Right there are on the sand.’ [Cynthia] Ozick (b. 1928) compares Sholem Aleichem to Dickens, Twain, and Will Rogers. ‘He was a popular presence, and stupendously so. His lectures and readings were mobbed; he was a household friend; he was cherished as a family valuable.’ For readers unfamiliar with Yiddish writing, a revelation; for readers and aficionados of the language, a treasure.” —Kirkus Reviews, Starred Review “For many people, this will be a poignant, surprising, and engrossing introduction to the epic survival story of a singular culture, requiring no foreknowledge of Yiddish, by two of the field's luminaries. For those of us whose grandparents spoke and understood, and whose parents only understood—no need to explain that we do neither—this book is the way back to a language that once meant everything.” —Boris Fishman, author of A Replacement Life and Savage Feast “This volume is not a chronological exploration of the Yiddish language in America. Instead, the editors offer portions of some of the major works of Yiddish literature, poetry, comics, and political thought, by writers including Isaac Bashevis Singer, Chaim Grade, Cynthia Ozick, and Sophie Tucker, among others. A delightful chapter concentrates on culinary offerings with some recipes included. Finally, a fascinating chapter focuses on the influence of Yiddish in Canada, Argentina, Cuba, Mexico, and Columbia, offering a glimpse of Yiddishkeit outside Eurocentric views. VERDICT A wonderful compilation sure to please new and old lovers of Yiddish culture, Jewish history, and linguistics.” —Library Journal “Who could resist the lure of a jar of kosher dills on a bright yellow book cover? Not I. In addition to the pickles what the cover promised was a certainty that the work represented on its pages, between essays, fiction, poems, cartoons, etc., would be co-chosen by the indefatigable Ilan Stavans, whose work I have followed for years. Divided into six parts, starting with ‘Politics and Possibilities’ and ending with ‘The Other Americas,’ one cannot help but be amazed by the breadth of Yiddish documents that have been found and preserved from the past, while marveling at the more contemporary writers who have added richness and are keeping Yiddish alive. This book is utterly fascinating and a true cultural artifact.” —Lucy Kogler, Literary Hub “Stavans and Lambert, both accomplished scholars, aspire to something far more substantial than the Yiddishisms and Jewish jokes that have come to be associated with Yiddishkayt in American pop culture…. [T]he reader is offered an astonishingly rich and diverse selection of poems, stories, memoirs, essays, plays, letters, conversations, recipes and reminiscences, as well as drawings, cartoons and posters by Yiddish artists, each one refracting a different point of view and a different point of light.” —Jonathan Kirsch, Jewish Journal