In the Judeo-Christian tradition, the deity Yahweh is often portrayed as an old man. One of the epithets used of Yahweh in the Hebrew Bible, the Ancient of Days, is a source for this depiction of God as elderly. However, when we look closely at the early traditions of biblical Israel, we see a different picture: God is relatively youthful, a warrior who defends his people. This book is an examination of the question How did God become old? To answer this question, Bembry examines the way that aging and elderly human beings are portrayed in the Hebrew Bible. Then he makes a similar foray into the texts written in Ugaritic (a language quite close to ancient Hebrew), which provide a window into the ancient culture just north of Israel during the Late Bronze Age. He finds that Israel’s God shared attributes with the Ugaritic deities Baal and El. One prominent aspect of the similar attributes was that Yahweh’s depiction as a youthful warrior paralleled the way Baal was portrayed. The transformation from young deity to Ancient of Days took place at the intersection of two trajectories in the traditions of Israel. One trajectory is reflected in the way that apocalyptic traditions found in the book of Daniel recast the old Canaanite mythic imagery seen in the Ugaritic and early biblical texts. This trajectory allows Yahweh to take on qualities, such as old age, that were not associated with him during most of Israel’s history but were associated with El in the Canaanite traditions. The second trajectory, a depiction of Israel’s God as elderly, is connected with the development of the idea of Yahweh as father. The more comfortable the biblical tradents became with portraying Yahweh as a father—a metaphor that was not embraced in the early traditions—the easier it became for the people of Israel to think of Yahweh as occupying a stage of the human life cycle. These two trajectories came together in the 2nd century B.C.E., the chronological backdrop for Daniel 7, and found expression in a new epithet for Yahweh: Ancient of Days.

Biblical scholarship today is divided between two mutually exclusive concepts of the emergence of monotheism: an early-monotheistic Yahwism paradigm and a native-pantheon paradigm. This study identifies five main stages on Israel's journey towards monotheism. Rather than deciding whether Yahweh was originally a god of the Baal-type or of the El-type, this work shuns origins and focuses instead on the first period for which there are abundant sources, the Omride era. Non-biblical sources depict a significantly different situation from the Baalism the Elijah cycle ascribes to King Achab. The novelty of the present study is to take this paradox seriously and identify the Omride dynasty as the first stage in the rise of Yahweh as the main god of Israel. Why Jerusalem later painted the Omrides as anti-Yahweh idolaters is then explained as the need to distance itself from the near-by sanctuary of Bethel by assuming the Omride heritage without admitting its northern Israelite origins. The contribution of the Priestly document and of Deutero-Isaiah during the Persian era comprise the next phase, before the strict Yahwism achieved in Daniel 7 completes the emergence of biblical Yahwism as a truly monotheistic religion.

Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.

This volume explores recent scholarship on ancient Israelite religion, focusing on the deities of ancient Israel. The scholarship begins in 1980, although some earlier works are cited.

Life and Death: Social Perspectives on Biblical Bodies explores some of the social, material, and ideological dynamics shaping life and death in both the Hebrew Bible and ancient Israel and Judah. Analysing topics ranging from the bodily realities of gestation, subsistence, and death, and embodied performances of gender, power, and status, to the imagined realities of post-mortem and divine existence, the essays in this volume offer exciting new trajectories in our understanding of the ways in which embodiment played out in the societies in which the texts of the Hebrew Bible emerged.

Mark McEntire continues the story begun in Portraits of a Mature God, extending his narrative beyond the conclusion of the Hebrew Bible as Israel and Israel’s God moved into the Hellenistic world. The “narrative” McEntire perceives in the apocryphal literature describes a God protecting and guiding the scattered and persecuted, a God responding to suffering in revolt, and a God disclosing mysteries, yet also hidden in the symbolism of dreams and visions. McEntire here provides a coherent and compelling account of theological perspectives in the writings of Hellenistic Judaism.

Continuing a Gold Medallion Award-winning legacy, this completely revised edition of The Expositor’s Bible Commentary series puts world-class biblical scholarship in your hands. Based on the original twelve-volume set that has become a staple in college and seminary libraries and pastors’ studies worldwide, this new thirteen-volume edition marshals the most current evangelical scholarship and resources. The thoroughly revised features consist of: • Comprehensive introductions • Short and precise bibliographies • Detailed outlines • Insightful expositions of passages and verses • Overviews of sections of Scripture to illuminate the big picture • Occasional reflections to give more detail on important issues • Notes on textual questions and special problems, placed close to the texts in question • Transliterations and translations of Hebrew and Greek words, enabling readers to understand even the more technical notes • A balanced and respectful approach toward marked differences of opinion