A biography of Wyatt Earp, drawing from newspaper stories as well as personal accounts from Earp's friends, enemies, and acquaintances.

On October 26, 1881, Wyatt Earp, his two brothers, and Doc Holliday shot it out with a gang of cattle rustlers near the O.K. Corral in Tombstone, Arizona. It was over in half a minute, but those thirty violent seconds turned the thirty-three-year-old Wyatt Earp into the stuff of legend. In truth, however, the gunfight at the O.K. Corral neither launched nor climaxed a career that in the course of eighty-two colorful years took Wyatt Earp from an Iowa farm to the movie studios of Hollywood, where he worked as an advisor on Western films. Along the way he saw real-life action as a buffalo hunter, bodyguard, detective, bounty hunter, gambler, boxing referee, prospector, saloon keeper, and, on occasion, a superb lawman. ø This authoritative biography tells Wyatt Earp?s story in all its amazing variety?a story the celebrated lawman shares with the likes of Bat Masterson, Earp?s colleague on the Dodge City police force; the tubercular, gun-toting southern gentleman Doc Holliday; and Josephine Sarah Marcus, a beautiful Jewish girl from New York City who lived and traveled with Earp throughout the last forty-seven years of his life. Biographer Allen Barra also examines the more fantastic versions of Earp?s exploits told during his own lifetime, as well as his incarnations in the myths that have flourished in our national imagination throughout the seventy years since his death.

The gunfight at the OK Corral occupies a unique place in American history. Although the event itself lasted less than a minute, it became the basis for countless stories about the Wild West. At the time of the gunfight, however, Wyatt Earp was not universally acclaimed as a hero. Among the people who knew him best in Tombstone, Arizona, many considered him a renegade and murderer. This book tells the nearly unknown story of the prosecution of Wyatt Earp, his brothers, and Doc Holiday following the famous gunfight. To the prosecutors, the Earps and Holiday were wanton killers. According to the defense, the Earps were steadfast heroes—willing to risk their lives on the mean streets of Tombstone for the sake of order. The case against the Earps, with its dueling narratives of brutality and justification, played out themes of betrayal, revenge, and even adultery. Attorney Thomas Fitch, one of the era’s finest advocates, ultimately managed—against considerable odds—to save Earp from the gallows. But the case could easily have ended in a conviction, and Wyatt Earp would have been hanged or imprisoned, not celebrated as an American icon.

Finalist for the 2014 Weber-Clements Book Prize for the Best Non-fiction Book on Southwestern America In popular culture, Wyatt Earp is the hero of the Gunfight at the O.K. Corral in Tombstone, Arizona, and a beacon of rough cowboy justice in the tumultuous American West. The subject of dozens of films, he has been invoked in battles against organized crime (in the 1930s), communism (in the 1950s), and al-Qaeda (after 2001). Yet as the historian Andrew C. Isenberg reveals in Wyatt Earp: A Vigilante Life, the Hollywood Earp is largely a fiction—one created by none other than Earp himself. The lawman played on-screen by Henry Fonda and Burt Lancaster is stubbornly duty-bound; in actuality, Earp led a life of impulsive lawbreaking and shifting identities. When he wasn't wearing a badge, he was variously a thief, a brothel bouncer, a gambler, and a confidence man. As Isenberg writes, "He donned and shucked off roles readily, whipsawing between lawman and lawbreaker, and pursued his changing ambitions recklessly, with little thought to the cost to himself, and still less thought to the cost, even the deadly cost, to others." By 1900, Earp's misdeeds had caught up with him: his involvement as a referee in a fixed heavyweight prizefight brought him national notoriety as a scoundrel. Stung by the press, Earp set out to rebuild his reputation. He spent his last decades in Los Angeles, where he befriended Western silent film actors and directors. Having tried and failed over the course of his life to invent a better future for himself, in the end he invented a better past. Isenberg argues that even though Earp, who died in 1929, did not live to see it, Hollywood's embrace of him as a paragon of law and order was his greatest confidence game of all. A searching account of the man and his enduring legend, and a book about our national fascination with extrajudicial violence, Wyatt Earp: AVigilante Life is a resounding biography of a singular American figure.

In Dragging Wyatt Earp essayist Robert Rebein explores what it means to grow up in, leave, and ultimately return to the iconic Western town of Dodge City, Kansas. In chapters ranging from memoir to reportage to revisionist history, Rebein contrasts his hometown’s Old West heritage with a New West reality that includes salvage yards, beefpacking plants, and bored teenagers cruising up and down Wyatt Earp Boulevard. Along the way, Rebein covers a vast expanse of place and time and revisits a number of Western myths, including those surrounding Francisco Vasquez de Coronado, the Cheyenne chief Black Kettle, George Armstrong Custer, and of course Wyatt Earp himself. Rebein rides a bronc in a rodeo, spends a day as a pen rider at a local feedlot, and attempts to “buck the tiger” at Dodge City’s new Boot Hill Casino and Resort. Funny and incisive, Dragging Wyatt Earp is an exciting new entry in what is sometimes called the nonfiction of place. It is a must- read for anyone interested in Western history, contemporary memoir, or the collision of Old and New West on the High Plains of Kansas.