From a bleak bus ride through Glasgow at midnight, to a trans - Californian road trip, from summer in Dubrovnik and finding peace in a Spanish paradise, to a bumpy bus ride to Kampala and the Paris Metro at night... TRAVEL, the third of the Collections of Poetry and Prose book series, features 97 contributions from 46 writers and poets around the world, all writing in their own unique, wonderful and occasionally quirky way about their travels and experiences travelling. From rural towns and villages in Africa, Asia and India, and the tiny islands of Bahrain and Shetland, to the bustling metropolises of Europe, the Americas and Australasia, with many of the contributions reflecting the diverse backgrounds and cultures of the writers, TRAVEL explores the world and its people and culture in an undeniably unique and fascinating way.

Poems for Travellers transports the reader to lands far and near in the company of some of our greatest poets such as Walt Whitman, John Keats and Christina Rossetti. Part of the Macmillan Collectors Library series, featuring expert introductions for your favourite classics. As internationally acclaimed author Paul Theroux writes in his introduction, ‘Here is a collection of travel poetry composed by real travellers, weekending tourists, feverish fantasists, bluffers, dreamers, brave adventurers and resolute stay-at-homes. It succeeds in what poetry does best – inspires and consoles, reminds us of who we are, where we’ve been, and where we might want to go next.’

It might surprise you who’s a fan of poetry — when it meets them where they are. Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: all over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life. In The Poetry of Strangers, Brian tells the story of his cross-country journey in a series of heartfelt and insightful essays. From Minnesota to Tennessee, California to North Dakota, Brian discovered that people aren’t so afraid of poetry when it’s telling their stories. In “dying” towns flourish vibrant artistic spirits and fascinating American characters who often pass under the radar, from the Mall of America’s mall walkers to retirees on Amtrak to self-proclaimed witches in Salem. In a time of unprecedented loneliness and isolation, Brian’s journey shows how art can be a vital bridge to community in surprising places. Conventional wisdom says Americans don’t want to talk to each other, but according to this poet-for-hire, everyone is just dying to be heard. Thought-provoking, moving, and eye-opening, The Poetry of Strangers is an unforgettable portrait of America told through the hidden longings of one person at a time, by one of our most important voices today. The fault lines and conflicts which divide us fall away when we remember to look, in every stranger, for poetry.

Languages change over time. No matter how hard we try to control and regulate them, they exist in a state of endless metamorphosis. This does not mean, though, that we should simply stand by and watch as language devolves into nonsense. What should we do, then? Recognizing the inevitability of change is a given, of course. But we must also navigate the delicate line between the pull of popular trends and the urge to cling blindly to the ways of the past. The ideal balance, Professor Nakanishi argues in this book, lies in being "one step behind the times," which is the best approach for wielding.

In medieval times, a pilgrimage gave the average Joe his only break from the daily grind. For Gideon Lewis-Kraus, it promises a different kind of escape. Determined to avoid the fear and self-sacrifice that kept his father, a gay rabbi, closeted until midlife, he has moved to anything-goes Berlin. But the surfeit of freedom there has begun to paralyze him, and when a friend extends a drunken invitation to join him on an ancient pilgrimage route across Spain, Lewis-Kraus packs his bag, grateful for the chance to wake each morning with a sense of direction. Irreverent, moving, hilarious, and thought-provoking, A Sense of Direction is Lewis-Kraus’s dazzling riff on the perpetual war between discipline and desire, and its attendant casualties. Across three pilgrimages and many hundreds of miles, he completes an idiosyncratic odyssey to the heart of a family mystery and a human dilemma: How do we come to terms with what has been and what is—and find a way forward, with purpose?

Endless Travel is a collection of expressive narrative prose poems. The travel of our souls is an innate desire. Just as we cannot live without food, we cannot live without this traveling desire. One of the pages of travel life is writing which can reach the land of hope and illuminates dark areas. Beautiful writing, like poetry, can change our awareness of world by its traveling features that make us fly with joy and pleasure. In our deep interior there are travel areas where everything means everything, and when we talk about something, we talk about something else. In this area and at this level, what happened is the travel of feelings, meanings and impression. Writing becomes sometime a great travel, and here shows the creativity of poetry. From this point of view, writing is a travel, and our souls use creative writing in that wide traveling. The idea may wear many dresses to show itself and the writer should listen to its voice and take care of its wishes. What is an expressive narrative? Expressive narrative poetry is prose poetry written narratively and horizontally such as story and essay but with individual expressive depth and a pure private vision and narrating the poetic elements with distinction distant from the narration of events and narrative characters. The expressive narrative has a magic that cannot be described and it is the text of the future of all creative literary writing. In the future, it will turn into an expressive narration because it is broad and can accommodate all forms of expression.