"Comprehensive and comparative, this volume investigates African American street novelists from the Chicago Black Renaissance and the semiotic strategies they employ in publication, consumption, and depiction of street life. Divided into three sections, this text analyzes the content, style, and ethics of "street" narrative through a discursive/rhetorical lens, exploring the development of street literature's formal and contextual concerns to answer the sociocultural and political questions surrounding cultural work. The book also gives emphasis to "text" or literary/(post)structural analysis, answering the questions about the genre's aesthetic and linguistic tactics necessitated as a response to the strategies of urban planning. The last section, "representation," investigates the phenomenological hermeneutics of street literature, highlighting the political stakes for authorship, credibility, and subjectivity. Through historical and contemporary studies of urban space, Blackness, and adaptations of street literature, this work provides an performative engagement between networks of support in the greater reading public and the ontology of the inner city"--

A reflection on the past and present of city life, and a bold proposal for its future “Constantly stimulating ideas from a veteran of urban thinking.”—Jonathan Meades, The Guardian In this sweeping work, the preeminent sociologist Richard Sennett traces the anguished relation between how cities are built and how people live in them, from ancient Athens to twenty-first-century Shanghai. He shows how Paris, Barcelona, and New York City assumed their modern forms; rethinks the reputations of Jane Jacobs, Lewis Mumford, and others; and takes us on a tour of emblematic contemporary locations, from the backstreets of Medellín, Colombia, to Google headquarters in Manhattan. Through it all, Sennett laments that the “closed city”—segregated, regimented, and controlled—has spread from the Global North to the exploding urban centers of the Global South. He argues instead for a flexible and dynamic “open city,” one that provides a better quality of life, that can adapt to climate change and challenge economic stagnation and racial separation. With arguments that speak directly to our moment—a time when more humans live in urban spaces than ever before—Sennett forms a bold and original vision for the future of cities.

Extending geographically from London to Glasgow James Procter's study explores black literary and cultural production across the post World War Two period. The author considers how places like dwellings, bedsits and public spaces, contribute to the travelling theories of diaspora discourse.

A globe-trotting, eye-opening exploration of how cities can—and do—make us happier people Charles Montgomery's Happy City will revolutionize the way we think about urban life. After decades of unchecked sprawl, more people than ever are moving back to the city. Dense urban living has been prescribed as a panacea for the environmental and resource crises of our time. But is it better or worse for our happiness? Are subways, sidewalks, and tower dwelling an improvement on the car-dependence of sprawl? The award-winning journalist Charles Montgomery finds answers to such questions at the intersection between urban design and the emerging science of happiness, and during an exhilarating journey through some of the world's most dynamic cities. He meets the visionary mayor who introduced a "sexy" lipstick-red bus to ease status anxiety in Bogotá; the architect who brought the lessons of medieval Tuscan hill towns to modern-day New York City; the activist who turned Paris's urban freeways into beaches; and an army of American suburbanites who have transformed their lives by hacking the design of their streets and neighborhoods. Full of rich historical detail and new insights from psychologists and Montgomery's own urban experiments, Happy City is an essential tool for understanding and improving our own communities. The message is as surprising as it is hopeful: by retrofitting our cities for happiness, we can tackle the urgent challenges of our age. The happy city, the green city, and the low-carbon city are the same place, and we can all help build it.

The excitement of the brilliantly innovative book is that it challenges the reader to revise his concept of order—and to consider the seemingly disparate problems of the individual personality and the urban society in the light of a fresh, unified framework that has the shock of new truth. Drawing on recent ideas in psychology, sociology, and urban history, Sennett shows how the excessively “ordered” community freezes adults—both the fierce young idealists and their security-oriented parents—into rigid attitudes that originate in adolescence and stifle further personal growth. He explains how the accepted ideal of order generates patterns of behavior among the urban middle cases that are stultifying, narrow, and violence-prone. He demonstrates that most city planning has been conducted with the same rigidity, and shows, in specific and human terms, why that approach has not solved and cannot solve our cities problems. The Uses of Disorder is not only a critique of the ways in which the affluent city has failed as a place where the individual—even the affluent individual—can grow. It is also an exploration of new modes of urban organization through which city life can become richer and more life-affirming. The author proposes and projects in concrete terms (including a new use of the police) a functioning city that can incorporate anarchy, diversity, and creative disorder to bring into being adults who can openly respond to and dealt with the challenges of life. Thus, Richard Sennett, more aware of the nature of human nature than most Utopians of the past, sees progress in the creation of new urban relationships that will protect, not stability, but diversity and change. Out of his books, with its free and imaginative insights grounded in a strong sense of present-day realities, emerges the vision of a fully affluent and libertarian society—an arena that will welcome a rich variety of individuals, and accept the conflict that stem from such variety as not merely inevitable but life-giving.

From William Blake through to Iain Sinclair, literature has sought to engage with and transform urban space. Architects now seek the input of poets, and storytelling is employed in urban regeneration. Writing Urban Space investigates this relationship between imaginative writing and the built environment.