10 Publishing Myths offers authors the chance to succeed in the publishing world by giving them practical tools they can use to succeed and dodge the myths of the industry. The publishing world is filled with misconceptions and myths. Therefore, it is terrific for authors to have big ambitions as their book is being published, but, it is also important to be realistic and understand the world of publishing. W. Terry Whalin has worked with hundreds of authors and published a number of bestsellers, and he knows that it is important to focus on creating a good book and not realistic about the business aspects. Within 10 Publishing Myths, Terry focuses on giving authors a realistic picture of the book world then detailing practical steps they can take to succeed. Inside 10 Publishing Myths, authors learn the actions they can take to succeed, they get a step-by-step guide for practical results, and so much more!

Complete revision of the author's "Book reviewing", originally published in 1945.

Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron has spent her career discovering why these methods don’t work and coming up with a powerful alternative, based on the science behind what our brains are wired to crave in every story we read (and it’s not what you think). In Story Genius Cron takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint—including fully realized scenes—that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.

How cultivating a healthy fear of God liberates us from our fear of others, our fear of the future, and even our fear of death itself. At times the world feels like it's losing its mind. From politics to the pandemic, we live with an ever-increasing uncertainty, and many of us have grown to fear the rapid disintegration of our society and our own lives. Recovering Our Sanity is not another self-help book about how to beat your daily fears for a better life. It's a book that will show you the gravity and glory of a God who's worthy of our fear. It’s a book that will reveal how these two biblical phrases—Fear God and Do Not Be Afraid—are not contradictory but actually one coherent message. Michael Horton—Professor of Theology and Apologetics at Westminster Seminary—shows us that we cannot fight our fears by seeking the absence of fear altogether, but by living with a fear of God that drives out the fear of everything else. Horton will walk you through the case for the fear of God by: Developing what it means to fear God, biblically and theologically, and what this kind of fear looks like in practice. Categorizing different types of fears—from cultural anxiety to pain and hardship—and what they stem from. Focusing on how to confront our earthly fears with our hope in Christ, rooted in the gospel. Reminding us that God does not exist for us; we exist for God. Humbling, thought-provoking, and hope-igniting, Recovering Our Sanity delivers a timely message that will help you shift your focus from a human-centered obsession with self-preservation to a fixation on Christ and his salvation. Rather than clinging to false securities and promises of immediate gratification, you can gain the lasting joy of knowing the One who has given himself to save us and who says to us, "Do not be afraid."

When writing workshops first blossomed in classrooms, its hallmarks were genuine curiosity, individual choice, quality conversations, and engaging children's literature. A joyous hum of intention, creativity, and craft enlivened the school day. Today's teachers are often faced with a range of obstacles, as new initiatives are embraced, mandates handed down, and scripted programs are purchased. Sometimes teachers must sacrifice the original principles of the writing workshop and lose the creative venue they provide. Above and Beyond the Writing Workshop is filled with original writing challenges designed to bring back the spirit of the original writing workshop model and encourage teachers to enhance it with invention, innovation, and inspiration. Teaching creative writing is not only possible, but an important process in their instruction. Author Shelley Harwayne invites teachers to keep the workshop spirit alive by: Encouraging professional conversations on classroom ideas and methods between colleagues; Developing writing cues that allow young writers to be inquisitive, outspoken, and independent; Showing how high quality writing can make a difference; Offering an inspired and stimulating outlet for students to express their passions. Harwayne's book will help teachers encourage students to write the world around them, which can generate more critical thinking and make for a more well-rounded child.

Roy Peter Clark, one of America's most influential writing teachers, offers writing lessons we can draw from 25 great texts. Where do writers learn their best moves? They use a technique that Roy Peter Clark calls X-ray reading, a form of reading that lets you penetrate beyond the surface of a text to see how meaning is actually being made. In The Art of X-Ray Reading, Clark invites you to don your X-ray reading glasses and join him on a guided tour through some of the most exquisite and masterful literary works of all time, from The Great Gatsby to Lolita to The Bluest Eye, and many more. Along the way, he shows you how to mine these masterpieces for invaluable writing strategies that you can add to your arsenal and apply in your own writing. Once you've experienced X-ray reading, your writing will never be the same again.

Jo is a much happier teenager when she moves to the USA and becomes very popular at her new school. However, when her dream boy, Jake, picks her for the kissing game she does not feel as blissful as she imagined she would. She finds herself in a dilemma - should she keep on with Jake and remain popular or warn him off and risk losing her new friends? She feels split in half at this point. Will she ever be whole again?