FBI files on writers with dangerous ideas, including Hannah Arendt, Allen Ginsberg, Ernest Hemingway, Susan Sontag, and James Baldwin. Writers are dangerous. They have ideas. The proclivity of writers for ideas drove the FBI to investigate many of them—to watch them, follow them, start files on them. Writers under Surveillance gathers some of these files, giving readers a surveillance-state perspective on writers including Hannah Arendt, Allen Ginsberg, Ernest Hemingway, Susan Sontag, and Hunter S. Thompson. Obtained with Freedom of Information Act requests by MuckRock, a nonprofit dedicated to freeing American history from the locked filing cabinets of government agencies, the files on these authors are surprisingly wide ranging; the investigations were as broad and varied as the authors' own works. James Baldwin, for example, was so openly antagonistic to the state's security apparatus that investigators followed his every move. Ray Bradbury, on the other hand, was likely unaware that the Bureau had any interest in his work. (Bradbury was a target because an informant warned that science fiction was a Soviet plot to weaken American resolve.) Ernest Hemingway, true to form, drunkenly called the FBI Nazis and sissies. The files have been edited for length and clarity, but beyond that everything in the book is pulled directly from investigatory files. Some investigations lasted for years, others just a few days. Some are thrilling narratives. Others never really go anywhere. Some are funny, others quite harrowing. Despite the federal government's periodic admission of past wrongdoing, investigations like these will probably continue to happen. Like all that seems best forgotten, the Bureau's investigation of writers should be remembered. We owe it to ourselves. Writers Hannah Arendt, James Baldwin, Ray Bradbury, Truman Capote, Tom Clancy, W. E. B. Du Bois, Allen Ginsberg, Ernest Hemingway, Aldous Huxley, Ken Kesey, Norman Mailer, Ayn Rand, Susan Sontag, Terry Southern, Hunter S. Thompson, Gore Vidal

Based on FBI files released under the Freedom of Information and Privacy Acts, this riveting book reveals the disturbing details and surprising extent of U.S. government surveillance against German emigr writers, artists, and intellectuals who sought refuge in America after World War II. 26 illustrations.

How FBI surveillance influenced African American writing Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem’s renaissance and Hoover’s career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover’s death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau’s close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century. Taking his title from Richard Wright’s poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship. Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.

The challenges to humanity posed by the digital future, the first detailed examination of the unprecedented form of power called "surveillance capitalism," and the quest by powerful corporations to predict and control our behavior. In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. The stakes could not be higher: a global architecture of behavior modification threatens human nature in the twenty-first century just as industrial capitalism disfigured the natural world in the twentieth. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new "behavioral futures markets," where predictions about our behavior are bought and sold, and the production of goods and services is subordinated to a new "means of behavioral modification." The threat has shifted from a totalitarian Big Brother state to a ubiquitous digital architecture: a "Big Other" operating in the interests of surveillance capital. Here is the crucible of an unprecedented form of power marked by extreme concentrations of knowledge and free from democratic oversight. Zuboff's comprehensive and moving analysis lays bare the threats to twenty-first century society: a controlled "hive" of total connection that seduces with promises of total certainty for maximum profit -- at the expense of democracy, freedom, and our human future. With little resistance from law or society, surveillance capitalism is on the verge of dominating the social order and shaping the digital future -- if we let it.

The book explores records that MI5, Britain's domestic intelligence agency, maintained on influential left-wing writers from 1930 to 1960.

A look inside the secret world of the American intelligence establishment and its link to the global eavesdropping network "Echelon" assesses how much privacy Americans have unwittingly sacrificed in favor of national security.

A groundbreaking look at the NSA surveillance scandal, from the reporter who broke the story, Glenn Greenwald, star of Citizenfour, the Academy Award-winning documentary on Edward Snowden In May 2013, Glenn Greenwald set out for Hong Kong to meet an anonymous source who claimed to have astonishing evidence of pervasive government spying and insisted on communicating only through heavily encrypted channels. That source turned out to be the 29-year-old NSA contractor and whistleblower Edward Snowden, and his revelations about the agency's widespread, systemic overreach proved to be some of the most explosive and consequential news in recent history, triggering a fierce debate over national security and information privacy. As the arguments rage on and the government considers various proposals for reform, it is clear that we have yet to see the full impact of Snowden's disclosures. Now for the first time, Greenwald fits all the pieces together, recounting his high-intensity ten-day trip to Hong Kong, examining the broader implications of the surveillance detailed in his reporting for The Guardian, and revealing fresh information on the NSA's unprecedented abuse of power with never-before-seen documents entrusted to him by Snowden himself. Going beyond NSA specifics, Greenwald also takes on the establishment media, excoriating their habitual avoidance of adversarial reporting on the government and their failure to serve the interests of the people. Finally, he asks what it means both for individuals and for a nation's political health when a government pries so invasively into the private lives of its citizens—and considers what safeguards and forms of oversight are necessary to protect democracy in the digital age. Coming at a landmark moment in American history, No Place to Hide is a fearless, incisive, and essential contribution to our understanding of the U.S. surveillance state.