with essays by Peter S. Reed, Robert Friedel, Margaret Crawford, Greg Hise, Joel Davidson, and Michael Sorkin Among the legacies of World War II was a massive building program on a scale that America had not seen before and has not seen since. The war effort created thousands of factories, homes, even entire cities throughout the country. Many of these structures still stand, the physical evidence of an unprecedented ability to harness the power and resources of a people. The complex legacy of this most notable period in our nation's history is discussed from a different perspective by each contributor. Peter S. Reed, Associate Curator of the Department of Architecture and Design at the Museum of Modern Art, details the rise of modern architecture during the war -- housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel, Professor of History at the University of Maryland, documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford, Chair of the History and Theory of Architecture Program at the Southern California Institute of Architecture, explores the struggle of women and blacks for public housing. Greg Hise, Assistant Professor in the School of Urban and Regional Planning at the University of Southern California, considers how the construction of large-scale residential communities near defense plants prefigured postwar suburbia. Joel Davidson, historian of the "World War II and the American Dream" exhibition, analyzes the impact of the war's building program on the postwar military-industrial complex. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight. Copublished with The National Building Museum, Washington, D.C.

Historically, the United States has been viewed by generations of immigrants as the land of opportunity, where through hard work one can prosper and make a better life. The American Dream is perhaps the United States’ most common export. For many Americans, though, questions remain about whether the American Dream can be achieved in the twenty-first century. Americans, faced with global competition and increased social complexity, wonder whether their dwindling natural resources, polarized national and local politics, and often unregulated capitalism can support the American Dream today. This book examines the ideas and experiences that have formed the American Dream, assesses its meaning for Americans, and evaluates its prospects for the future.

A Smithsonian Magazine Best History Book of 2018 The unknown history of two ideas crucial to the struggle over what America stands for In Behold, America, Sarah Churchwell offers a surprising account of twentieth-century Americans' fierce battle for the nation's soul. It follows the stories of two phrases--the "American dream" and "America First"--that once embodied opposing visions for America. Starting as a Republican motto before becoming a hugely influential isolationist slogan during World War I, America First was always closely linked with authoritarianism and white supremacy. The American dream, meanwhile, initially represented a broad vision of democratic and economic equality. Churchwell traces these notions through the 1920s boom, the Depression, and the rise of fascism at home and abroad, laying bare the persistent appeal of demagoguery in America and showing us how it was resisted. At a time when many ask what America's future holds, Behold, America is a revelatory, unvarnished portrait of where we have been.

Extraordinary stories of ordinary men and women whose lives were changed forever by landmark legislation—and how they went on to change the country. Inspiring war stories are familiar. But what about after-the-war stories? From a Pulitzer Prize–winning author, Over Here is the Greatest Generation’s after-the-war story—vivid portraits of how the original G.I. Bill empowered an entire generation and reinvented the nation. The G.I. Bill opened college education to the masses, transformed America from a nation of renters into a nation of homeowners, and enabled an era of prosperity never before seen in the world. Doctors, teachers, engineers, researchers, and Nobel Prize winners who had never considered college an option rewrote the American Dream thanks to this most visionary legislation. “Vivid . . . Deeply moving, alive with the thrill of people from modest backgrounds discovering that the opportunities available to them were far greater than anything they had dreamed of.” —Los Angeles Times “Poignant . . . The human dramas scattered throughout the narrative are irresistible.” —The Denver Post “Fascinating . . . The book’s statistics are eye-opening, but it’s the numerous personal vignettes that bring this account to life. . . . At its best, these passages are reminiscent of Studs Terkel’s Depression-era and World War II oral histories.” —The Plain Dealer

This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body of work that has America's decline and ruin as a central theme. The author draws from popular films across all genres and six decades to illustrate how the political climate of the times influenced their creation. Projecting the End of the American Dream: Hollywood's Visions of U.S. Decline combines film history, social history, and political history to reveal important themes in the unfolding American narrative. Discussions focus on a wide variety of films, including Rambo, Planet of the Apes, and Easy Rider.