Independent photojournalism and documentary photography are indispensable tools of political education for a democratic society and an essential part of shaping public opinion—especially in our so-called 'post-factual' times. In recognition of this, the independent non-profit organization World Press Photo Foundation, based in Amsterdam, has been presenting the World Press Photo Award for the best photo, the best story, the best longterm project of the year for more than six decades. The winning images in the various categories tell bold stories and provide invaluable insights into the state of our world. The winning photo will be announced alongside the book launch and presented in a traveling exhibition. The excitement continues as we wait to see which images will be chosen from thousands of submissions—and, of course, which photo will become the cover illustration!

Independent photojournalism and documentary photography are indispensable tools of political education for a democratic society and an essential part of shaping public opinion—especially in our so-called 'post-factual' times. In recognition of this, the independent non-profit organization World Press Photo Foundation, based in Amsterdam, has been presenting the World Press Photo Award for the best photo, the best story, the best longterm project of the year for more than six decades. The winning images in the various categories tell bold stories and provide invaluable insights into the state of our world. The winning photo will be announced alongside the book launch and presented in a traveling exhibition. The excitement continues as we wait to see which images will be chosen from thousands of submissions—and, of course, which photo will become the cover illustration!

This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.