John 1:14 ... and the Word was made flesh ... In every religion and philosophy, word remains word - religion remains a theory and philosophy remains a guess. But in Jesus Christ, the Word is made flesh, reality is revealed - God's thought is concluded in human life. The ultimate destiny of the Word, was never a book or an institution, but the image and likeness of God displayed in human life! Both the content and the method in which the course is presented is aimed at this purpose: to inspire and ignite an understanding that will find expressing through our lives - the Word made flesh. This 25 week (6 month) course will explore the mystery that was hidden for ages and generation, but has now been revealed ... Christ in us, all we could ever have hoped for. See ginomai.org for more information.

Endorsements: ""Robert Stamps offers us a compelling case for the significance of the theology of Thomas Torrance to current discussions about Trinitarian doctrine and worship. He shows that Torrance's Christology and Eucharistic thought validates the Reformed confession of a profound, real spiritual presence in the Eucharist. This book serves as a helpful introduction to Torrance, especially his framing of revelation. Moreover, it invigorates our understanding of the theological meaning of sacramental devotion. Its readers will be stimulated, provoked, and, dare I say, inspired by its insights into--and critiques of--one of the most important and recent Reformed thinkers. In sum, this is a timely and exciting book. It will well serve pastors, theologians, and thoughtful Christians of many theological perspectives."" MARK VALERI, E. T. Thompson Professor of Church History, Union Theological Seminary, Virginia ""One of the values of this work is that it has deliberately sought not so much to discuss a particular problem or a collection of issues as to identify Torrance as an example of an archetypal Reformed theology of the Eucharist. To say that Dr. Stamps has been industrious is patently an understatement: the truth is that he has been indefatigable in his search for the least morsel that Torrance offers. Yet it is not so much as a study of Torrance that this book is to be commended: its great value is that it offers a contextualization of Torrance's thinking on the Eucharist--in ecclesiology, the more general dimension of an incarnational theology--as well as his understanding of cosmology and epistemology. . . . I hope that Dr. Stamps' book will not only find grateful readers but will be repaid by profound reflection on this symbol of the heart of faith."" JOHN HEYWOOD THOMAS, Emeritus Professor of Theology, University of Nottingham

Most theologians believe that in the human life of Jesus of Nazareth, we encounter God. Yet how the divine and human come together in the life of Jesus still remains a question needing exploring. The Council of Chalcedon sought to answer the question by speaking of one and the same Son, our Lord Jesus Christ, the same perfect in divinity and also perfect in humanity, the same truly God and truly a human being. But ever since Chalcedon, the theological conversation on Christology has implicitly put Christs divinity and humanity in competition. While ancient (and not-so-ancient) Christologies from above focus on Christs divinity at the expense of his humanity, modern Christologies from below subsume his divinity into his humanity. What is needed, says Ian A. McFarland, is a Chalcedonianism without reserve, which not only affirms the humanity and divinity of Christ but also treats them as equal in theological significance. To do so, he draws on the ancient christological language that points to Christs nature, on the one hand, and his hypostasis, or personhood, on the other. And with this, McFarland begins one of the most creative and groundbreaking theological explorations into the mystery of the incarnation undertaken in recent memory.

DIVAn ex-cop gets sucked back into an evil world he thought he’d left behind/div DIV“Vealshank” Tani’s life ends in an abandoned train station. The killers don’t just torture Tani, they skin him and hang him from a steal beam as a treat for the carrion eaters. This grisly scene wouldn’t matter to Gilrein, a cabbie who knows to mind his own business, except that he spent the evening as Tani’s chauffeur. Whether he knows anything or not, his life is now a liability to August Kroger, kingpin and rare-book addict—and enemies of Kroger do not live long./divDIV /divBefore he drove a Checker, Gilrein was a cop, with a life built around the force. His wife wore a badge as well, serving valiantly until the day an explosion took her life and forced Gilrein to abandon their profession. Sensing a connection between Tani’s death and his wife’s, Gilrein reopens the case, hoping to expose the conspiracy that ended her life—before it claims his too.

This outstanding textbook offers an original history of Christian thought, asking what it has meant over the centuries to participate in the religion of the Word made flesh. Traces Christian ideas, conversations, experiences and practices from the first century through to the dawn of modernity at the end of the eighteenth century. Presents an inclusive history, considering the critical roles of women and religious ‘others’– dissenting Christians, Jews and Muslims – in shaping Christian thought. Sets Christian ideas in the context of conversations, controversies and concrete circumstances. Demonstrates the importance of liturgical and devotional exercises to the practice of Christianity. Treats words, images, music and architecture all as primary evidence of Christian traditions. Is accompanied by a CD Rom containing hundreds of visuals to support the theories and examples discussed throughout the volume.

Building on the metahistorical exploration of drama that was the subject of Tongues of Flame, Dawn Langman explores the practical pathways through which the art of acting can evolve beyond the ‘body and soul’ paradigm still broadly accepted in contemporary culture. Through the integration of Rudolf Steiner’s research in the arts of speech and eurythmy, and together with Michael Chekhov’s acting techniques, Langman raises the spiritual dimension of the human being from that vague sensing which many actors intuit – but which has, however, little bearing on their practice – into a precise methodology. In this second volume in her series on ‘The Actor of the Future’, she offers performance artists a clear pathway ahead, enabling them to develop their work out of spiritual insight and consciousness.