This landmark bilingual Dutch-English anthology introduces women's writing in the Low Countries, the low-lying delta of the Rhine, Scheldt, and Meuse rivers, from 1200 to 1875. The Dutch and Flemish writers featured here produced work of ardent religious passion, ranging from medieval mysticism to scathing anti-Reformation polemic to pious Anabaptist reflections. Others addressed current social and political debates or demonstrated fierce feminist engagement. This survey includes a range of genres, from sonnets to social and epistolary novels, and will serve as a unique resource for the study of women's writing throughout the ages as well as an unparalleled portrait of the emotional, social, and political worlds of female writers in the Low Countries.

This first-of-its-kind anthology offers the English-speaking readers a unique chance to become acquainted with the leading Dutch and Flemish women writers since the 1880s. Covering a representative range of public and private genres from poetry, criticalessays, travel literature and political commentary to diaries and journals, the fifty-six texts are arranged chronologically and are accompagnied by brief introductions, chronologies, and brief guides to the authors and works. An important contribution to our understanding of modern European literary canon and the long march of feminist history and literature. (Dutch ed.: "Schrijvende vrouwen", 978-90-8964-216-5).

This book provides a welcome English translation of a marvelous anthology of women's religious and secular writing, stretching from the visions of the late medieval mystics through the prison testaments of sixteenth-century Anabaptist martyrs to the pamphleteers and novelists of the growing urban bourgeoisie. The translations and introductions demonstrate the ways that women in the Low Countries shaped the intellectual and cultural developments of their eras.

The Kingdom of the Netherlands is a small, but heavily populated country with almost 17 million inhabitants. It is one of the last kingdoms in Europe and in 2015 it celebrated its 200 years anniversary. The Netherlands became a kingdom after the Napoleonic era. During this period it was transformed into a centralized state. Before those years it had been one of few republics in Europe for about two centuries. That state was a confederacy, which emerged in the 1580s during its independence struggle against the Spanish Habsburgs. Although the present state is still monarchial, the Netherlands functions as a modern constitutional democracy, in which the king’s position is almost comparable with a ceremonial presidency. The majority of the Dutch population, however, appreciates the hereditary political presence of the House of Orange-Nassau, regarding this dynasty as a symbol of national unity and connection with the country’s past. This third edition of Historical Dictionary of the Netherlands contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Netherlands.

While scholarship on Caribbean women’s literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women’s Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women’s writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.

This Element sheds a new light on the ubiquitous yet complex notion of mimesis. By systematically comparing the social dynamics of the Dutch population at a given time with the social dynamics of characters in Dutch literary fiction published in the same period, it aims to pinpoint the ways in and the extent with which literary fiction either mirrors or shapes the societal context from which it emerged. While close-reading-based scholarship on this topic has been limited to qualitative interpretations of allegedly exemplary works, the present study uses the data-driven tools of social network analysis to systematically determine the imitative elements of the social dynamics of characters within larger-scale, representative collections of books of literary fiction.