"The richness of the material and its skillful assembly make this a very readable volume ... revealing a wonderful range of perspective, from personal, intimate reflections to timely comments on the politics and society of both Prague and the Czech Republic of the era under study." - Journal of the Society for the Anthropology of Europe "Wilma Iggers offers English-reading audiences fascinating new perspectives ... in a sensitive introduction to the city's modern experience and translated sections from the writings of twelve women ... This volume is particularly welcome since the work of most of these writers has not been readily available in English before." - Gary B. Cohen, University of Oklahoma For many centuries Prague has exerted a particular fascination because of its beauty and therichness of its culture and history. Its famous group of German and Czech writers of mostly Jewish extraction in the earlier part of this century has deeply influenced Western culture.However, little attention has so far been paid to the roles of women in the history of thisethnically diverse area in around Prague. Based on largely autobiographical writings and letters by women and enhanced by extensive historical introduction, this book redresses a serious imbalance. The vivid and often moving portraits, which emerge from the varied material used bythe author, offer fascinating and new insights into the social and cultural history of this region.

Each of the 12 chapters presents a first-person account, based on letters and autobiography, of a woman who contributed significantly to the cultural life of Prague from the late 18th century to the present. Excellent historical notes accompany each account as well as fascinating but fuzzy bandw photos. Annotation copyright by Book News, Inc., Portland, OR

This work is about the lives of young ordinary Czech women who came of age in the aftermath of the 1989 Velvet Revolution. The book contains a collection of interviews with 14 women of similiar age and education, but with varying work, marital and childbearing experiences.

Named one of the Best Books of the Summer by Publishers Weekly Named a Hot Summer Read by the Boston Globe Amateur private investigator Ash McKenna's time is about to expire—on his visa, that is. Having fled the demons that haunted him in the U.S., Ash has been laying low in Prague for nearly three months. Now, it's time to move on. But as he contemplates his next stop, a man named Roman appears, claiming to work for the U.S. government, and possessing intimate knowledge of Ash's many sins. Sins nobody should know. Roman offers to protect him...in exchange for a favor. It sounds simple: a bank employee named Samantha Sobolik is set to receive a package containing covert information in a handoff on the Charles Bridge. Ash must intercept the package, and deliver the contents to Roman. Ash refuses—until Roman threatens to kill his mother. Out of options and too far away to protect her, Ash agrees. But when Ash gets to the bridge, he discovers that the handoff is actually a hit. Ash ends up battling a mysterious and deadly assassin in a fight he barely survives. As it turns out, the job is far more complicated and dangerous than anyone thought. Ash finds himself in a strange city, outmatched, hunted, and trapped in a dangerous game where nobody is what they seem—including Samantha. The Woman From Prague is a riveting novel of international suspense from one of the very best crime writers working today.

For readers of VE Schwab and The Witcher, science and magic clash in atmospheric gaslight-era Prague. In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters - a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer - a widow with secrets of her own. When Domek finds himself stalked by the spirit of the White Lady - a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o'-the-wisp captured in a mysterious container. Now, as it's bearer, Domek wields its power, but the wisp, known for leading travellers to their deaths, will not be so easily controlled. After discovering a conspiracy amongst the pijavice that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.

Sixteen essays “apply the intersectional theory in an inspiring way in the analysis of gender issues in the past and in contemporary Czech society” (Aspasia). In this wide-ranging study of women’s and gender issues in the pre- and post-1989 Czech Republic, contributors engage with current feminist debates and theories of nation and identity to examine the historical and cultural transformations of Czech feminism. This collection of essays by leading scholars, artists, and activists, explores such topics as reproductive rights, state socialist welfare provisions, Czech women’s NGOs, anarchofeminism, human trafficking, LGBT politics, masculinity, feminist art, among others. Foregrounding experiences of women and sexual and ethnic minorities in the Czech Republic, the contributors raise important questions about the transfer of feminist concepts across languages and cultures. As the economic orthodoxy of the European Union threatens to occlude relevant stories of the different national communities comprising the Eurozone, this book contributes to the understanding of the diverse origins from which something like a European community arises. “While the collection demands that we understand Czech uniqueness, at the same time it is at its best when this uniqueness comes into focus through comparative study.” —Feminist Review “A colorful bouquet offering an overview of directions taken by Czech feminist scholarship since the 1990s.” —Slavic Review