There has long been a tendency among monastic historians to ignore or marginalize female participation in monastic life, but recent scholarship has begun to redress the balance, and the great contributions made by women to the religious life of the Middle Ages are now attracting increasing attention. This interdisciplinary volume draws together scholars from Spain, Italy, France, the Low Countries, Germany, Transylvania, Scandinavia, and the British Isles, and offers new insights into the history, art history, and material culture, and the religiosity and culture of medieval religious women. The different chapters within this book take a comparative approach to the emergence and spread of female monastic communities across different geographical, political, and economic settings, comparing and contrasting houses that ranged from rich, powerful royal abbeys to small, subsistence priories on the margins of society, and exploring the artistic achievements, the interaction with neighbours and secular and ecclesiastical authorities, and the spiritual lives that were led by their inhabitants. The contributors to this volume address issues as diverse as patronage and relationships with the outside world, organizational structures, the nature of Cistercian observance and identity among female houses, and the role of male authority, and in doing so, they seek to shed light on the divergences and commonalities upon which the female religious life was based.

In this study of the manner in which medieval nuns lived, Penelope Johnson challenges facile stereotypes of nuns living passively under monastic rule, finding instead that collectively they were empowered by their communal privileges and status to think and act without many of the subordinate attitudes of secular women. In the words of one abbess comparing nuns with monks, they were "different as to their sex but equal in their monastic profession." Johnson researched more than two dozen nunneries in northern France from the eleventh century through the thirteenth century, balancing a qualitative reading of medieval monastic documents with a quantitative analysis of a lengthy thirteenth-century visitation record which allows an important comparison of nuns and monks. A fascinating look at the world of medieval spirituality, this work enriches our understanding of women's role in premodern Europe and in church history.

A selection of documents, translated primarily from medieval Latin but occasionally from Old French, that shows how religious women and their patrons managed resources to make monastic communities - particularly a variety of Cistercian communities - work. The records help us reconstruct how nuns and abbesses of Cistercian communities in the thirteenth century organized and kept records, managed their properties, responded to attempts at usurpation, and balanced their lives between devotional practices, which were part of their cloistered world, and family and social responsibilities beyond the convent walls.

During the Middle Ages, female monasteries relied on priests to provide for their spiritual care, chiefly to celebrate Mass in their chapels but also to hear the confessions of their nuns and give last rites to their sick and dying. These men were essential to the flourishing of female monasticism during the eleventh and twelfth centuries, yet they rarely appear in scholarly accounts of the period. Medieval sources are hardly more forthcoming. Although medieval churchmen consistently acknowledged the necessity of male spiritual supervision in female monasteries, they also warned against the dangers to men of association with women. Nuns' Priests' Tales investigates gendered spiritual hierarchies from the perspective of nuns' priests—ordained men (often local monks) who served the spiritual needs of monastic women. Celibacy, misogyny, and the presumption of men's withdrawal from women within the religious life have often been seen as markers of male spirituality during the period of church reform. Yet, as Fiona J. Griffiths illustrates, men's support and care for religious women could be central to male spirituality and pious practice. Nuns' priests frequently turned to women for prayer and intercession, viewing women's prayers as superior to their own, since they were the prayers of Christ's "brides." Casting nuns as the brides of Christ and adopting for themselves the role of paranymphus (bridesman, or friend of the bridegroom), these men constructed a triangular spiritual relationship in which service to nuns was part of their dedication to Christ. Focusing on men's spiritual ideas about women and their spiritual service to them, Nuns' Priests' Tales reveals a clerical counter-discourse in which spiritual care for women was depicted as a holy service and an act of devotion and obedience to Christ.

Crown and Veil offers a broad introduction to the history and visual culture of female monasticism in the Middle Ages, from the earliest communities of Late Antiquity to the Reformation. Scholars from numerous disciplines offer a wide range of perspectives not to be found in any other single book on the subject, placing the art, architecture, literature, liturgy, religious practices, and economic foundations of these communities within a wide historical and cultural context. Long considered marginal to mainstream history, nuns and canonesses in fact had a profound influence on medieval culture. Revered and admired as models of piety, they commanded considerable prestige and exercised a significant degree of political power. Whether acting as producers or patrons of art, nuns were widely celebrated for their imaginative accomplishments. Focusing on the visual culture of female monastic communities in the German Empire, Frankish Gaul, Langobard Italy, and Anglo-Saxon England, this volume underscores the richness of largely unfamiliar material and its role in shaping distinctive forms of religious life.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that Burton has made to medieval monastic studies in the British Isles.