One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.

THE STORY: Thomas Middleton's rarely performed masterpiece, WOMEN BEWARE WOMEN, is a fascinating and entertaining tragicomedy (or is it a comi-tragedy?) by one of Shakespeare's most popular contemporaries. This provocative play portrays a ruling cl

Written for the adult players at the open-air Swan theatre in 1613, this master-piece of Jacobean city comedy signals its ironic nature even in the title: chaste maids, like most other goods and people in London's busiest commercial area, are likely to be fake. Money is more important than either happiness or honour; and the most coveted commodities to be bought with it are sex and social prestige. Middleton interweaves the fortunes of four families, who either seek to marry their children off as profitably as possible, to stop having any more for fear of poverty, or to acquire some in order to keep their property in the family. Most prosperous is the husband who pimps his wife to a rich knight and lets him support the household with his alimony. Like many early modern critics of London's enormous growth, this play warned: the city is a monster that lives off the money the country produces.

Fiction. Malcolm has read so many English novels that Oxford feels as familiar as it does foreign when he arrives from New York to study Shakespeare in the intervals between crew practice. But all it takes is one drama student for life to shake loose his grasp of literature. Emma isn't the prettiest girl he's ever slept with, or the most well-read, but her mind most matches his. When she lands a part in a play Off-Off-Broadway and decamps to New York leaving no forwarding address, the irony that in a book would be artistic rankles in real life. Cast adrift, Malcolm miscalculates and breaks two ribs rowing. His Shakespeare tutor warns him not to let love get in the way of literature or at least not till they do the tragedies but as soon as term ends, Malcolm hops a plane to New York. Will he be able to steer his own course to the middle way his tutor's always touting? Or do happy endings only exist in books? "Gwen Thompson portrays Oxford dons, Upper East Side executives, and working-class English girls with the same breezy mastery, while reveling in the minutiae of Elizabethan drama, pub crawling, competitive rowing, and getting your heart broken. A thoroughly charming performance from a very talented young writer." Ralph Lombreglia"

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.

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