"Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women's leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women's studies, photography, African American Studies, and landscape architecture"--

Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women’s studies, photography, African American Studies, and landscape architecture.

An exciting and refreshing call to arms, The Planthunter is a new generation of gardening book for a new generation of gardener that encourages readers to fall in love with the natural world by falling in love with plants.

'Women Garden Designers' features 27 of the most important and influential garden designers and their gardens from around the world, showing both their finest commissions as well as the gardens they designed for themselves in their own space.

In this book Miller challenges contemporary aesthetic theory to include gardens in an expanded definition of art. She provides a radical critique of three central tenets within current intellectual debate: first, the art historical notion that art should only be studied within the context of a single culture and period; second, the philosophical belief that art should be conceived as a discrete object unrelated to our survival as persons, as cultural communities, as a species; and third, the notion that all signifying systems are like language.

Women and Gardens celebrates the achievements of women in gardening and horticultural history. Today, women outnumber men in landscape architecture and related fields. But for centuries, male historians overlooked women's important contributions to horticulture. During her long and distinguished career, feminist historian Susan Groag Bell (1926-2015) published several seminal works on women's place in history and how it had been written out. Upon her death, Bell left behind a fascinating, unfinished project, exploring women's roles as gardeners and founders of horticultural schools. Now, horticultural historian Judith M. Taylor has completed Bell's work. Women and Gardens expands upon Bell's original research and features new material from Taylor-including a full chapter on the accomplishments of women flower breeders and a comprehensive listing of women rose breeders in Australia. In Women and Gardens, Taylor and Bell offer gardening and horticulture enthusiasts an exclusive look into the previously unexplored world of women and gardens. Order your copy today. ----- Praise for Judith M. Taylor's Work "For many years, the distinguished pioneer feminist historian, Susan Groag Bell, was fascinated with women's involvement with gardens, gardeners themselves and also as teachers through the schools they established for other women. Over the years she had worked on this project but hadn't completed it at the time of her death. Now the superb horticultural historian, Judith Taylor, using and expanding Susan's material, has created a joint work devoted to the extremely interesting and important world of women and gardens." - Dr. Peter Stansky, Frances and Charles Field Professor of History, Emeritus, Stanford University "One of the most important studies in garden plant history in English for a long time...for anyone interested in the history of garden plants and plantmanship it is essential reading." - Noel Kingsbury on Taylor's Visions of Loveliness ----- About the Cover The famous early twentieth century artist Childe Hassam painted Celia Thaxter's garden in the Isles of Shoals off the Maine coast in 1896. Thaxter was a noted poet in her day. She ran an hotel on Appledore Island and planted many flowers to decorate the hotel's rooms. Writers and artists spent their summers at the resort.

From the golden age in English history to today s gardeners and designers, this volume recognizes women s contributions to gardening in Britain and around the worldspanning more than four centuries. Despite growing vegetables for their kitchens, tending herbs for their medicine cupboards, and teaching other women about the craft before agricultural schools officially existed, women have been mere footnotes in the horticultural annals for specimens collected abroad. These pioneers influence on the style of gardens in the present day is illustrated here in a style both accessible and scholarly. Presenting a rare bouquet, this collection shares the stories of more than 200 women who have been involved withgarden design, plant collecting, flower arranging, botanical art, garden writing, and education."