Anyone interested in manifestations of witchcraft in Elizabethan and Jacobean England will find this book an invaluable source. Barbara Rosen has gathered and edited a rare collection of documents--pamphlets, reports, trial accounts, and other material--that describes the experience, interpretation, and punishment of witchcraft in the late sixteenth and early seventeenth centuries. In her introduction, Rosen explores the full range of practices and beliefs associated with witchcraft and situates these phenomena in historical context. She explains how ignorance of science and medicine combined with social circumstance and religious ideology to shape popular perceptions and superstitions. Distinguishing between English and Continental forms of witchcraft, she also examines the legal definitions, disciplines, and punishments applied to wizards, witches, wise women, and conjures in the Elizabethan age. The pamphlets and other original texts have been modernized in certain respects to make them more accessible to general readers. But the book retains its value for scholars: omissions are detailed in the notes and additions marked; obsolete words and grammar are explained in the glossary. Originally published in England in 1970 under the title Witchcraft, this book appears now for the first time in paperback and includes a new preface by the editor.

It has been said by a thoughtful writer that the subject of witchcraft has hardly received that place which it deserves in the history of opinions. There has been, of course, a reason for this neglect-the fact that the belief in witchcraft is no longer existent among intelligent people and that its history, in consequence, seems to possess rather an antiquarian than a living interest. No one can tell the story of the witch trials of sixteenth and seventeenth century England without digging up a buried past, and the process of exhumation is not always pleasant. Yet the study of English witchcraft is more than an unsightly exposure of a forgotten superstition. There were few aspects of sixteenth and seventeenth century life that were not affected by the ugly belief. It is quite impossible to grasp the social conditions, it is impossible to understand the opinions, fears, and hopes of the men and women who lived in Elizabethan and Stuart England, without some knowledge of the part played in that age by witchcraft.

By the author of Accused comes “an entertaining as well as illuminating” history of Britain’s most infamous witch hunts and trials (Magnolia Review). With the echo of that chilling injunction, “Thou shalt not suffer a witch to live,” hundreds of people were accused and tried for witchcraft across England throughout the sixteenth and seventeenth centuries. With fear and suspicion rife, neighbor turned against neighbor, friend against friend, as women, men, and children alike were caught up in the deadly fervor that swept through villages. From the feared covens of Pendle Forest to the victims of the notorious and fanatical Witchfinder Generals Matthew Hopkins and John Stearns, so-called witches were suspected, accused, and dragged to trial to await judgement and face their inevitable and damnable fate. In this “interesting, informative and insightful” book, historian Willow Winsham draws on a wealth of primary sources including trial transcripts, parish, and country records, and the often sensational—and highly prejudicial—pamphlets that were published after each trial. Her exhaustive research reveals just how frightening, violent, and terribly common the scourge really was, and explores the social conditions, class divisions, and religious mania that stoked its flames (All About History).

This book places early modern philosophy and political theory into conversation with sixteenth- and seventeenth-century writing on magic: plays, spell books, treatises, and witch trial narratives. Reading works by Hobbes and Bacon alongside writing by necromancers and witch-hunters reveals a broad cultural obsession with supernatural power.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.