Tells the story of a young Apache chief told by his white friend and blood-brother Old Shatterhand. The action takes place in the US Southwest, in the latter half of the 1800s, where the Indian way of life is threatened by the first transcontinental railroad. His tragic death foreshadows the death of his people.

'May'' in this novel presented a western adventure in which a German novice, Old Shatterhand, out-shoots and finally out-wits Yankees and Indians alike. The story is about the friendship of Old Shatterhand, an American pioneer of German descent and Winnetou, a noble Indian chief.This story is highlited with the humour and spirit of the 'Westmaenner' and the 'noblesse' of the young Apache. Amazing!

Tells the story of a young Apache chief told by his white friend and blood-brother Old Shatterhand. The action takes place in the US Southwest, in the latter half of the 1800s, where the Indian way of life is threatened by the first transcontinental railroad. His tragic death foreshadows the death of his people.

"May" in this novel presented a western adventure in which a German novice, Old Shatterhand, out-shoots and finally out-wits Yankees and Indians alike. The story is about the friendship of Old Shatterhand, an American pioneer of German descent and Winnetou, a noble Indian chief.This story is highlited with the humour and spirit of the 'Westmaenner' and the 'noblesse' of the young Apache. Amazing!

This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media—from literature, comics, and film to photography, painting, and the performative arts—across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date. The book’s novelty also comes from its focus on the latest developments in the field, including the “Ravensburger/Winnetou controversy,” which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book’s key goals—to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.

When he had heard all there was to learn of me he bowed his head, saying: "You are at the beginning of the conflict which I am ending, but you need not fear. You have the good God with you who will never forsake you. It was otherwise with me. I had lost my God when I left home, or rather was driven from it, and instead of the staff of strong faith I took with me the worst companion a man can have--a bad conscience."