A young boy discovers there are real, everyday heroes all around him and decides he wants to be one, too, in this sweet and empowering picture book. Gramps says, “When you grow up, Willis Watson, you can be whatever you want to be, if you wanna be. A real somebody!” But the cool guys in third grade tell Willis there are no superheroes in their neighborhood and hoping to be more than what you see is just “wannabe wack.” But when Willis’s gramps falls ill and he visits him at the hospital, Willis sees real superheroes all around him: Dr. Collins, who helps Gramps get better; the lady who serves hot lunches to kids; and even a courageous navy officer just like Gramps. Seeing so many of his neighbors take care of one another helps Willis finally believe he can be whatever he wants to be, a real somebody.

A Black boy’s transformative day out in nature, recommended by Social Justice Books and We Are Kid Lit Collective Rodney is that kid who just can’t sit still. He's inside, but he wants to be outside. Outside is where Rodney always wants to be. Between school and home, there is a park. He knows all about that park. It’s that triangle-shaped place with the yellow grass and two benches where grown-ups sit around all day. Besides, his momma said to stay away from that park. When Rodney finally gets a chance to go to a real park, with plenty of room to run and climb and shout, and to just be himself, he will never be the same.

A New York Times bestseller​! “It’s impossible to resist [this book’s] big-hearted appeal.” —BookPage ​A little girl and her friend Bear learn the true meaning of selfless kindness in this sweet, stunningly illustrated debut picture book. Bear is sad. All the other animals think he’s mean because he’s so big. But his human friend, Coco, offers to help him. Coco shares her grandmother’s advice: “When life gets dark as winter’s night, share some kindness, bring some light.” They decide to bake cookies to “share some kindness” and make lanterns to “bring some light.” But when the cookies and lanterns don’t work, they must look for another way to win over the other animals. And while they’re at it, Coco and Bear just might discover that kindness is a gift that only comes from the heart.

“Vibrant…an ideal starting point for further learning.” —School Library Journal “A lively portrayal of Douglas as a remarkable individual and a significant environmental activist.” —Booklist From acclaimed children’s book biographer Sandra Neil Wallace comes the inspiring and little-known story of Marjory Stoneman Douglas, the remarkable journalist who saved the Florida Everglades from development and ruin. Marjory Stoneman Douglas didn’t intend to write about the Everglades but when she returned to Florida from World War I, she hardly recognized the place that was her home. The Florida that Marjory knew was rapidly disappearing—the rare orchids, magnificent birds, and massive trees disappearing with it. Marjory couldn’t sit back and watch her home be destroyed—she had to do something. Thanks to Marjory, a part of the Everglades became a national park and the first park not created for sightseeing, but for the benefit of animals and plants. Without Marjory, the part of her home that she loved so much would have been destroyed instead of the protected wildlife reserve it has become today.

Who knew that the great country of Canada is named for a mistake? How about "bedswerver," the best Elizabethan insult to hurl at a cheating boyfriend? By exploring the delightful back stories of the 250 words in Wordcatcher, readers are lured by language and entangled in etymologies. Author Phil Cousineau takes us on a tour into the obscure territory of word origins with great erudition and endearing curiosity. The English poet W. H. Auden was once asked to teach a poetry class, and when 200 students applied to study with him, he only had room for 20 of them. When asked how he chose his students, he said he picked the ones who actually loved words. So too, with this book — it takes a special wordcatcher to create a treasure chest of remarkable words and their origins, and any word lover will relish the stories that Cousineau has discovered.

Now over twenty years old, the original edition of Nightmare Movies has retained its place as a true classic of cult film criticism. In this new edition, Kim Newman brings his seminal work completely up-to-date, both reassessing his earlier evaluations and adding a second part that assess the last two decades of horror films with all the wit, intelligence and insight for which he is known. Since the publication of the first edition, horror has been on a gradual upswing, and taken a new and stronger hold over the film industry. Newman negotiates his way through a vast back-catalogue of horror, charting the on-screen progress of our collective fears and bogeymen from the low budget slasher movies of the 60s, through to the slick releases of the 2000s, in a critical appraisal that doubles up as a genealogical study of contemporary horror and its forebears. Newman invokes the figures that fuel the ongoing demand for horror - the serial killer; the vampire; the werewolf; the zombie - and draws on his remarkable knowledge of the genre to give us a comprehensive overview of the modern myths that have shaped the imagination of multiple generations of cinema-goers. Nightmare Movies is an invaluable companion that not only provides a newly updated history of the darker side of film but a truly entertaining guide with which to discover the less well-trodden paths of horror, and re-discover the classics with a newly instructed eye.

Literary Nonfiction. Drama. African & African American Studies. LGBTQIA Studies. Middle Eastern Studies. Performance Studies. Women's Studies. Is it possible--is it even ethical?--to make hopeful art in an unjust and chaotic world? In the tradition of artist-essayists such as James Baldwin, Anne Lamott, and Adrienne Rich, Sandberg-Zakian looks to her own socially-engaged theater-making practice alongside a diverse array of cultural influences (from slave narratives to popular musicals, Batman to This American Life), considering how we might reconcile our desire for hope and possibility, connection and transformation, with the necessity of navigating darkness, despair, hate and violence. The artistic coming-of-age journey of a contemporary theater artist in ten essays, THERE MUST BE HAPPY ENDINGS: ON A THEATER OF OPTIMISM & HONESTY is a smart, engaging and gently humorous contribution to the discussion of how we face art-making--and living--with hope and optimism, and an elegant, accessible, and satisfying companion to practical work in the world.