Open Access for this publication was made possible by a generous donation from Segelbergska stiftelsen för liturgivetenskaplig forskning (The Segelbergska Foundation for Research in Liturgical Studies). In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.

Sing to the Lord: Music in Divine Worship provides basic guidelines for understanding the role and ministry of music in the liturgy. An excellent resource for priests, deacons, and music ministers!

This history of early Christian creeds contains an up-to-date account of their origin and development from the credal texts in the New Testament to the fully fledged classical formulae of the 4th century. It includes the creeds’ use and alteration in subsequent periods until the time of Charlemagne and the beginnings of the filioque controversy. In addition, the author provides a scholarly commentary on the most common ancient confessions: the Nicene Creed and the Apostles’ Creed. Going beyond previous studies, the book contains chapters dedicated to the use of creeds in law, art, music, everyday life and even magic. Recently discovered source texts, such as a new Ethiopic version of the Roman Creed and a short recension of the Creed of Nicaea-Constantinople, receive extensive treatment. Credal developments in the eastern churches beyond the borders of the Roman Empire complete this comprehensive overview. This volume is intended both as a textbook for advanced students of theology and cognate disciplines and as a reference book on the creeds in a wide range of contexts. All source texts are accompanied by modern English translations.

Everyone worships. But Jesus tells us that God is seeking a particular kind of worshiper. In True Worshipers, a seasoned pastor and musician guides readers toward a more engaging, transformative, and biblically faithful understanding of the worship God is seeking. True worship is an activity rooted in the grace of the gospel that affects every area of our lives. And while worship is more than just singing, God’s people gathering in his presence to lift their voices in song is an activity that is biblically based, historically rooted, and potentially life-changing. Thoroughly based in Scripture and filled with practical guidance, this book connects Sunday worship to the rest of our lives—helping us live as true worshipers each and every day.

The letters of Ignatius of Antioch portray Jesus in terms that are both remarkably exalted and shockingly vulnerable. Jesus is identified as God and is the sole physician and teacher who truly reveals the Father. At the same time, Jesus was born of Mary, suffered, and died. Ignatius asserts both claims about Jesus with minimal attempts to reconcile how they can simultaneously be embodied in one person. This book explores the ways in which Ignatius outlines his understanding of Jesus and the effects that these views were to have on both his immediate audience as well as some of his later readers. Ignatius utilizes stories throughout his letters, describes Jesus with designations that are at once traditional and reinvigorated with fresh meaning, and employs a dizzying array of metaphors to depict how Jesus acts. In turn, Ignatius and his audience are to respond in ways befitting their status in Christ because Jesus forms a lens through which to look at the world anew. Such a dynamic Christology was not to cease development in the second century but continued to inspire readers in creative ways through late antiquity and beyond.

In this booklet, Darryl Tippens issues a rousing call to renew our great heritage of congregational singing. First, he recalls some of the main reasons why singing is central in the life of the church. And second, he offers specific suggestions for preserving and renewing the practice of congregational singing today.

This volume explores the ways in which representatives of different monotheistic traditions experienced themselves as “the other” or were perceived and described as such by their contemporaries. This central category – which includes not only those of different religions, but also converts, foreigners, sectarians, and women – is studied from various perspectives in a range of texts composed by Jewish, Christian, and Muslim authors during late antique and mediaeval times. Conceptualizations of such “others” are often intrinsically related to the idea of exile, another important category that is analysed in this work.