Characterizing Olaudah Equiano's eighteenth-century narrative of his life as a type of "scriptural story" that connects the Bible with identity formation, Vincent L. Wimbush's White Men's Magic probes not only how the Bible and its reading played a crucial role in the first colonial contacts between black and white persons in the North Atlantic but also the process and meaning of what he terms "scripturalization." By this term, Wimbush means a social-psychological-political discursive structure or "semiosphere" that creates a reality and organizes a society in terms of relations and communications. Because it is based on the particularities of Equiano's narrative, Wimbush's theoretical work is not only grounded but inductive, and shows that scripturalization is bigger than either the historical or the literary Equiano. Scripturalization was not invented by Equiano, he says, but it is not quite the same after Equiano.

The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, first published in England in 1789, was one of the earliest and remains to this day one of the best-known English language slave narratives. Characterizing Olaudah Equiano's eighteenth-century narrative of his life as a type of ''scriptural story'' that connects the Bible with identity formation, Vincent L. Wimbush's White Men's Magic probes not only how the Bible and its reading played a crucial role in the first colonial contacts between black and white persons in the North Atlantic but also the process and meaning of what he terms ''scripturalization.'' By this term, Wimbush means ''a social-psychological-political discursive structure'' or ''semiosphere'' that creates a reality and organizes a society in terms of relations and communications. This scripturalization, achieved by the British to establish a colonial and racialized society in and through the promotion of literacy and the Bible as a ''fetishized center-object, '' was also performed by an abject outsider or stranger like Equiano through his reading of the Bible as well as his own writing with the goal of imagining and promoting a more inclusive society. It is for this reason that Wimbush calls Equiano's narrative a ''scriptural story, '' and he argues that this is why the talking book trope appears repeatedly in writings of eighteenth- and early nineteenth-century black Atlantic writers. He identifies three different types of scripturalization: (1) scripturalization as social-cultural matrix and comparative magic; (2) scripturalization in the service of nationalization and for the purpose of naturalization; and (3) scripturalization in negotiation and for resistance. Because it is based on the particularities of Equiano's narrative, Wimbush's theoretical work is not only grounded but inductive. Wimbush shows that scripturalization is bigger than either the historical or the literary Equiano. Scripturalization was not invented by Equiano, he says, but it is not quite the same after Equiano.

Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

A Treatise on White Magic is a book by Alice Bailey. It is considered to be among the most important by students of her writings, as it is less abstract than most, and deals with many important subjects of her works in an introductory, even programmatic fashion. Bailey promulgated White Magic as a discipline to serve humanity. It is an esoteric text, which Bailey said was dictated telepathically by the Tibetan Master, Djwal Khul. It is offered as a "basic textbook" for the Western aspirant to initiation, and is divided into fifteen rules of magic, each one taking the reader further into the mysteries of spirituality. Topics discussed include: how an aspirant can best prepare himself for service, the various ray types of their influences, the relationship between the macrocosm and microcosm, the spiritual, causal, astral and physical realms and their interactions, the spiritual psychology of man, The Hierarchy of Masters, esoteric groups and schools, the spiritual centers (or chakras), the occult concept of the Seven Rays, meditation work and much more. One of the main themes is that of soul control.

Working for a prominent member of the NAACP in 1946 when a request comes from her favorite childhood author to investigate the murder of a black war hero, Regina Robichard travels to Mississippi, where she navigates the muddy waters of racism, relationships, and her own tragic past.

SHE IS MAGIC, YES is a book of 11 women who each share their personal journey.It is filled with hope. Filled with inspiration. Filled with women who chose to rise again and sometimes they chose to rise again and again. All of this made them into the women they are today. They are women who proved to the world that life is more than just the hand of cards you are dealt, but rather, how you respond to those cards you are dealt.It is a choice. They chose to find love. They chose to find healing. They chose to find life. In return, she gives love.She gives healing.She gives hope.She gives inspirationShe gives life.She is more than just a woman.She is Magic.Contributing Authors: Blair Hayse, Kelsey Rojas, Marina Fabian, Stephanie Mahony, Susan Finkel Barrows, Christine D'Elia, Nicole Barker, Mistie S. Rose, Karen Quiros, Brooke J. Coleman and Traci Miller.

These Hard dick, twisted mind, fantasy journeys will excite your imagination and body in incredible ways. Captivity, sex, hot-bodied men, slavery, kink and a whole lot of story telling make these stories come alive. While the twenty stories in this volume do have a decidedly kinky leaning, there are a few that don't veer off into the heavier areas of play. The stories are also allowed to end on unexpected notes, motivated just as much by character as sex.