The inspiring story of Joe Sacco and his part in the greatest battles of World War II, from Omaha Beach to the liberation of the concentration camp at Dachau, Germany. In his riveting debut, Where the Birds Never Sing, Jack Sacco recounts the realistic, harrowing, at times horrifying, and ultimately triumphant tale of an American GI in World War II. Told through the eyes of his father, Joe Sacco—a farm boy from Alabama who was flung into the chaos of Normandy and survived the terrors of the Bulge—this is no ordinary war story. As part of the 92nd Signal Battalion and Patton’s famed 3rd Army, Joe and his buddies found themselves at the forefront—often in front of the infantry or behind enemy lines—of the Allied push through France and Germany. After more than a year of fighting, but still only twenty years old, Joe was a hardened veteran, but nothing could have prepared him for the horrors behind the walls of Germany’s infamous Dachau concentration camp. Joe and his buddies were among the first 250 American troops into the camp, and it was there that they finally grasped the significance of the Allied mission. Surrounded and pursued by death and destruction, they not only found the courage and the will to fight, they discovered the meaning of friendship and came to understand the value and fragility of life. Told from the perspective of an ordinary soldier, Where the Birds Never Sing contains first-hand accounts and never-before published photos documenting one man’s transformation from farm boy to soldier to liberator.

"What do soldiers do presents a devastating new perspective on the Greatest Generation and the liberation of France, one in which the US military used the lure of easy, sexually available French women to sell soldiers on the invasion, thus unleashing a 'tsunami of male lust' among the war-weary GIs. The resulting chaos-ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease-horrified the battered and demoralized French population and caused serious friction between the two nations at a crucial point as the war drew to a close."--Page 4 of cover.

Since the early 1990s, tens of thousands of memoirs by celebrities and unknown people have been published, sold, and read by millions of American readers. The memoir boom, as the explosion of memoirs on the market has come to be called, has been welcomed, vilified, and dismissed in the popular press. But is there really a boom in memoir production in the United States? If so, what is causing it? Are memoirs all written by narcissistic hacks for an unthinking public, or do they indicate a growing need to understand world events through personal experiences? This study seeks to answer these questions by examining memoir as an industrial product like other products, something that publishers and booksellers help to create. These popular texts become part of mass culture, where they are connected to public events. The genre of memoir, and even genre itself, ceases to be an empty classification category and becomes part of social action and consumer culture at the same time. From James Frey’s controversial A Million Little Pieces to memoirs about bartending, Iran, the liberation of Dachau, computer hacking, and the impact of 9/11, this book argues that the memoir boom is more than a publishing trend. It is becoming the way American readers try to understand major events in terms of individual experiences. The memoir boom is one of the ways that citizenship as a category of belonging between private and public spheres is now articulated.

Within a forty-two month period, the author concludes his trilogy, starting with "Romancing San Francisco," to "A Romance in Augsburg," to this last book, "Where the Birds don't Sing," which includes sketches of the Vietnam War and Australia in 1971. All three novels are transformed into historical fiction, where in each sentence resides truth and in each paragraph wonders freely the genius of the author's ability to express what is on his mind. One might conclude this is a suitable ending to a decade of challenges and changes that plagued the world over. Perhaps many, who read this, will see Vietnam in a different view from the infamous infantry perspective. One that allows the other side of a soldiers life to emerge, the everyday life of a support unit; yet there still remains the drugs issues, the soldiers fighting comrades, and the never-ending threat of bombardment by the enemy.