Where Heaven and Earth Meet is a Festschrift in honor of Daniel F. Callahan, Professor of History at the University of Delaware. It is an interdisciplinary collection that celebrates and advances research in his principal scholarly interests. One central focus is on the writings of Ademar of Chabannes and what they reveal about heresy, music, warfare, and the Peace of God in the early Middle Ages. Another is on Western religious history (ecclesiastical houses, hagiography, and papal writings), and the collection is rounded out by studies of early Islamic Jerusalem as well as Arabic numismatics. Contributing authors include Professor Callahan’s former classmates, graduate students, colleagues and admirers of his research. The collection will be of interest to researchers in art history, history, musicology, and religion. Contributors are: Bernard S. Bachrach, Daniel F. Callahan, Lawrence G. Duggan, Michael Frassetto, Matthew Gabriele, James Grier, John D. Hosler, Anna Trumbore Jones, Lawrence Nees, Richard R. Ring, Jane T. Schulenburg

The first full account of the medieval struggle for Jerusalem, from the seventh to the thirteenth century The history of Jerusalem is one of conflict, faith, and empire. Few cities have been attacked as often and as savagely. This was no less true in the Middle Ages. From the Persian sack in 614 through the bloody First Crusade and beyond, Jerusalem changed hands countless times. But despite these horrific acts of violence, its story during this period is also one of interfaith tolerance and accord. In this gripping history, John D. Hosler explores the great clashes and delicate settlements of medieval Jerusalem. He examines the city’s many sieges and considers the experiences of its inhabitants of all faiths. The city’s conquerors consistently acknowledged and reinforced the rights of those religious minorities over which they ruled. Deeply researched, this account reveals the way in which Jerusalem’s past has been constructed on partial histories—and urges us to reckon with the city’s broader historical contours.

This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.

The writings of Ademar of Chabannes (ca 990-1034) on Jerusalem and the Cross offer a valuable, albeit at times, clouded window on many central developments of the pivotal tenth and eleventh centuries and why they are so central.

A synthesis of the latest scholarship on the institutions dedicated to the repression of heresy in the medieval and early modern Catholic Church.

Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.