Winner of an International Latino Book Award A dancer driven to succeed. A musical prodigy attempting to escape his past. The summer they share. And the moment it all goes wrong. Dance is Soledad Reyes's life. About to graduate from Miami's Biscayne High School for the Performing Arts, she plans on spending her last summer at home teaching in a dance studio, saving money, and eventually auditioning for dance companies. That is, until fate intervenes in the form of fellow student Jonathan Crandall who has what sounds like an outrageous proposition: Forget teaching. Why not spend the summer performing in the intense environment of the competitive drum and bugle corps? The corps is going to be performing Carmen, and the opportunity to portray the character of the sultry gypsy proves too tempting for Soledad to pass up, as well as the opportunity to spend more time with Jonathan, who intrigues her in a way no boy ever has before. But in an uncanny echo of the story they perform every evening, an unexpected competitor for Soledad's affections appears: Taz, a member of an all-star Spanish soccer team. One explosive encounter later Soledad finds not only her relationship with Jonathan threatened, but her entire future as a professional dancer.

After spending the year 2019/2020 capturing the views, feelings, and hopes of people of all ages and diverse cultures living through challenging times of the COVID-19 lockdown including myself I’ve decided to express my thoughts and feelings through something new. So, I challenged my usual way of thinking as well as the creative process (“in the moment”) improvising music with the aim to create freely and spontaneously. Because of my lack of experience in music, it was a fun and interesting process to learn at the same time as making. As a result, four albums arose: Love Is the Secret, Illegal Migrant, Tribal Soul, and Memórias do Vento. All of them were released at the end of the year 2020 around Christmas time. All the images in this book were painted also during the Covid19 lockdown with a specific medium and technique as part of the "My 2020 Lockdown project".

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

A chronicle of Adams’s rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker. Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had a determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion. “Menconi, a veteran music critic based in Raleigh, North Carolina, had a front row seat for alt-country wunderkind Ryan Adams’ rise to prominence—from an array of local bands, to Whiskeytown, and on to a successful and prolific solo career. Here, Menconi enthusiastically revisits those heady days when the mercurial Adams’ performances were either transcendent or tantrum-filled—the author was there for most of them, and he packs his book with tales of magical performances and utterly desperate train wrecks. . . . This interview- and anecdote-laden exposé of the artist's early career will doubtless find a happy home with Adams fans.” —Publishers Weekly

Laura Pritchett is an award–winning author who has quickly become one of the west's defining literary voices. We first met hardscrabble ranchers Renny and Ben Cross in Laura's debut collection, and now in Stars Go Blue, they are estranged, elderly spouses living on opposite ends of their sprawling ranch, faced with the particular decline of a fading farm and Ben's struggle with Alzheimer's disease. He is just on the cusp of dementia, able to recognize he is sick but unable to do anything about it —the notes he leaves in his pockets and around the house to remind him of himself, his family, and his responsibilities are no longer as helpful as they used to be. Watching his estranged wife forced into care–taking and brought to her breaking point, Ben decides to leave his life with whatever dignity and grace remains. As Ben makes his decision, a new horrible truth comes to light: Ray, the abusive husband of their late daughter is being released from prison early. This opens old wounds in Ben, his wife, his surviving daughter, and four grandchildren. Branded with a need for justice, Ben must act before his mind leaves him, and sets off during a brutal snowstorm to confront the man who murdered his daughter. Renny, realizing he is missing, sets off to either stop or witness her husband's act of vengeance. Stars Go Blue is a triumphant novel of the American family, buffered by the workings of a ranch and the music offered by the landscape and animal life upon it.

When she saw her American neighbour, Joe Stone standing in her London garden on that cold, spring night Kate Walker knew she was attracted to him. But Joe isn't the only one hiding from a past. Though physically attracted to each other they are always at odds and their fragile relationship inevitably crumbles when Kate's true identity is revealed. Believing she has one choice to save them both Kate runs but she has experienced a different life now and the transition back to the subservient drug-dependent gypsy she once was is too much. Unable to trust anyone Joe hides them deep in the English countryside. Their time together is special, to all intents and purposes just another ordinary couple. But scratch the surface and their relationship is as fragile as before, both unable to trust. They can run or they can play - Kate has been a pawn in a chess game that started before she was born. But no more. No more running. No more hiding. They'll become players too.

“A passionate, arresting, and entertaining book of verse . . . The images are vivid and the voice is honest and powerful” (Stephen King). This is the debut collection of poetry by singer/songwriter Ryan Adams, acclaimed for albums including Cardinology, Cold Roses, and Prisoner. His work in this volume rings with emotional authenticity—and provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with fans the world over. “Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.” —Mary-Louise Parker “Infinity Blues is Ryan Adams at his personal, unforgettable best. Strong and beautiful and funny and pure. Like all his work, it’s soul poetry of the highest order.” —Cameron Crowe “This is much better than reading a friend’s journal. It’s more like watching somebody you love in the bathtub talking to himself. You’re like, wow, he’s even good at taking a bath. After reading Infinity Blues (which I think is a great title), I give Ryan Adams the best compliment I ever got—and the only reason for reading anyone’s poetry. Ryan, I really like your mind.” —Eileen Myles