“BEST PLAY OF THE YEAR” New York Times · New Yorker · TIME · Hollywood Reporter · Newsweek · BuzzFeed · Forbes · New York · NPR · Washington Post · Entertainment Weekly · Los Angeles Times · Chicago Tribune Finalist for the 2019 Pulitzer Prize for Drama When she was fifteen years old, Heidi Schreck started traveling the country, taking part in constitutional debates to earn money for her college tuition. Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States’ founding principles are inextricably linked with our personal lives.

Typescript, DRAFT-IN-PROGRESS dated 09/23/18. Typescript sporadically marked with pencil by videographer. Used by The New York Public Library's Theatre on Film and Tape Archive on Nov. 1, 2018, when videorecording the stage production at New York Theatre Workshop, 79 East Fourth Street, New York, N.Y., directed by Oliver Butler.

In recent years, cognitive and affective science have become increasingly important for interpretation and explanation in the social sciences and humanities. However, little of this work has addressed American literature, and virtually none has treated national identity formation in influential works since the Civil War. In this book, Hogan develops his earlier cognitive and affective analyses of national identity, further exploring the ways in which such identity is integrated with cross-culturally recurring patterns in story structure. Hogan examines how authors imagined American identity—understood as universal, democratic egalitarianism—in the face of the nation’s clear and often brutal inequalities of race, sex, and sexuality, exploring the complex and often ambivalent treatment of American identity in works by Charlotte Perkins Gilman, Eugene O’Neill, Lillian Hellman, Djuna Barnes, Amiri Baraka, Margaret Atwood, N. Scott Momaday, Spike Lee, Leslie Marmon Silko, Tony Kushner, and Heidi Schreck.

Grand Concourse is a play by playwright and two-time Obie Award-winning actor Heidi Schreck. It tells the story of Shelley. Having dedicated her life to religious service, Shelley runs a Bronx soup kitchen with unsentimental efficiency. When Emma—a rainbow-haired college dropout—arrives to volunteer, her volatile mix of generosity and self-involvement throws Shelley’s life into chaos. She brings a needed jolt to the place, helping a long-time client toward a new job, but her energy also proves unsettling. Even as Emma’s behavior grows steadily more erratic, Shelley still wants to believe in her, despite the mounting evidence that she shouldn’t. Shelley must finally ask herself how well she really knows the people she sees every day, how much she can trust them, and what she can and cannot forgive. With both humor and generosity Grand Concourse asks big questions about the limits of both compassion and forgiveness.

Explores how the death of a child tears one family apart.

A young Shona girl escapes an arranged marriage by converting to Christianity, becoming a servant and student to an African Evangelical. As anti-European sentiments spread throughout the native population, she is forced to choose between her family's traditions and her newfound faith.