A dazzling new collection by this well-known poet/traveler from the American Southwest.

Nancy investigates the disappearance of the bride while attending the wedding of her friends Bess and George's cousin Veronica's wedding to the owner of local extreme sports complex in Las Vegas.

What Disappears is a gripping multi-generational tale that begins in 1880s Tsarist Russia and ends in Paris at the start of World War I. Jeannette Dupres, one of two identical twins born to a Jewish family in dire financial straits, is spirited out of an orphanage as an infant by a couple from France. The other twin, Sonya Luria, raised to believe her sister died at birth, has her life upended by the 1903 pogrom in Kishinev. The sisters are reunited in the doorway of Anna Pavlova's dressing-room, when they both get jobs in Paris with Sergei Diaghilev's Ballets Russes, Sonya as a seamstress and Jeannette as an extra ballerina. In a relationship that ebbs and flows as it evolves, the twins' deepest, darkest secrets are revealed, affecting not only them but also leaving their mark on the lives and fates of Sonya's three daughters. Peopled by the greatest dancers, artists, writers, designers, and trend-setters of the Belle Époque, What Disappears explores the ways in which girls and women define their identity and search for meaning in a world that tries at every turn to hold them back.

Wilson, one of our foremost authorities on race and poverty, challenges decades of liberal and conservative pieties to look squarely at the devastating effects that joblessness has had on our urban ghettos. Marshaling a vast array of data and the personal stories of hundreds of men and women, Wilson persuasively argues that problems endemic to America's inner cities--from fatherless households to drugs and violent crime--stem directly from the disappearance of blue-collar jobs in the wake of a globalized economy. Wilson's achievement is to portray this crisis as one that affects all Americans, and to propose solutions whose benefits would be felt across our society. At a time when welfare is ending and our country's racial dialectic is more strained than ever, When Work Disappears is a sane, courageous, and desperately important work. "Wilson is the keenest liberal analyst of the most perplexing of all American problems...[This book is] more ambitious and more accessible than anything he has done before." --The New Yorker

Taking a panoramic view of Korea's dynamic literary production in the final decade of Japanese rule, When the Future Disappears locates the imprint of a new temporal sense in Korean modernism: the impression of time interrupted, with no promise of a future. As colonial subjects of an empire headed toward total war, Korean writers in this global fascist moment produced some of the most sophisticated writings of twentieth-century modernism. Yi T'aejun, Ch'oe Myongik, Im Hwa, So Insik, Ch'oe Chaeso, Pak T'aewon, Kim Namch'on, and O Changhwan, among other Korean writers, lived through a rare colonial history in which their vernacular language was first inducted into the modern, only to be shut out again through the violence of state power. The colonial suppression of Korean-language publications was an effort to mobilize toward war, and it forced Korean writers to face the loss of their letters and devise new, creative forms of expression. Their remarkable struggle reflects the stark foreclosure at the heart of the modern colonial experience. Straddling cultural, intellectual, and literary history, this book maps the different strategies, including abstraction, irony, paradox, and even silence, that Korean writers used to narrate life within the Japanese empire.

The Dry meets The Silence of the Lambs in this intoxicating tale of literary suspense, set in the relentless Alaskan landscape, about madness and obsession, loneliness and grief, and the ferocious bonds of family.... My proposition is very simple: I am going to ask you for three gifts, and for each gift you deliver, I will take you one step closer to Jacqueline. It's been twenty years since Elisabeth's twin sister, Jacqueline, disappeared without a trace. Now thirty-year-old Elisabeth is living far from home in a small Alaskan town. She's in a loveless marriage and has a precocious young daughter she loves more than anything but who reminds her too much of her long-missing sister. But then Alfred, a dangerous stranger with a plan of his own, arrives in town and commits an inexplicable act of violence. And he offers a startling revelation: He knows exactly what happened to Elisabeth's sister, but he'll reveal this truth only if she fulfills his three requests. Increasingly isolated from her neighbors and imprisoned by the bitter cold and her own obsession, Elisabeth can almost hear her sister's voice saying, Come and find me. And so she will, even if it means putting herself--and her family--in danger.

What happens when Americans lose their jobs? In American Made, an illuminating story of ruin and reinvention, Pulitzer Prize-winning journalist Farah Stockman gives an up-close look at the profound role work plays in our sense of identity and belonging, as she follows three workers whose lives unravel when the factory they have dedicated so much to closes down. “With humor, breathtaking honesty, and a historian’s satellite view, American Made illuminates the fault lines ripping America apart.”—Beth Macy, author of Factory Man and Dopesick Shannon, Wally, and John built their lives around their place of work. Shannon, a white single mother, became the first woman to run the dangerous furnaces at the Rexnord manufacturing plant in Indianapolis, Indiana, and was proud of producing one of the world’s top brands of steel bearings. Wally, a black man known for his initiative and kindness, was promoted to chairman of efficiency, one of the most coveted posts on the factory floor, and dreamed of starting his own barbecue business one day. John, a white machine operator, came from a multigenerational union family and clashed with a work environment that was increasingly hostile to organized labor. The Rexnord factory had served as one of the economic engines for the surrounding community. When it closed, hundreds of people lost their jobs. What had life been like for Shannon, Wally, and John, before the plant shut down? And what became of them after the jobs moved to Mexico and Texas? American Made is the story of a community struggling to reinvent itself. It is also a story about race, class, and American values, and how jobs serve as a bedrock of people’s lives and drive powerful social justice movements. This revealing book shines a light on a crucial political moment, when joblessness and anxiety about the future of work have made themselves heard at a national level. Most of all, American Made is a story about people: who we consider to be one of us and how the dignity of work lies at the heart of who we are.