If the perfect poetical metaphor for a zombie is, as is popularly held, the haiku, what are the appropriate metaphors for werewolves and vampires?Obviously, sonnets and limericks.At enormous personal risk, the author has collected these works from a wide array of supernatural sources, often at considerable danger to his own bodily and spiritual integrity.Actually, that last part isn't true. He's been on their side since the beginning.

More Brains... Some race. Some lurch. Others come crawling, limping, staggering—dragging themselves toward anyone who might still have a pulse. Zombies invade the island of Manhattan, and they are hungry. The story of the zombie apocalypse is told through the eyes of Dawn, a ten-year-old girl who has been well-schooled in the undead because of her father's love of zombie movies. As the zombies approach, Dawn and her dad realize the time has come to implement their Zombie Escape Plan, so they gather friends and escape to the Statue of Liberty. Only... the plan doesn't go quite as expected. Dawn documents their downfall in her haiku journal, where the limb-snapping, eye-popping, bone-crunching zombies eventually make her one of their own. In gory detail, and sometimes channeling her favorite poets, she describes the gruesome scenes before her—and her own frightening impulses.

You hold in your hands a recently discovered poetry journal—the poetry journal of a vampire. William Butten was en route to a new land on the Mayflower when he was turned into a vampire by a fellow passenger, a beautiful woman named Katherine. These pages contain his heartbreaking story—the story of a vampire who has lived through (and perhaps caused) some of America's defining events. As he travels the country and as centuries pass, he searches for his lost love and records his adventures and misadventures using the form of poetry known as haiku. As Butten documents bloody wars, a certain tea party in Boston, living the high life during the Great Depression, two Woodstock festivals, the corruption of Emily Dickinson, and hanging out with Davy Crockett, he keeps to the classic 5-7-5 syllable structure of haiku. The resulting poems are hilarious, repulsive, oddly romantic, and bizarre. Read along, and you just may find a new appreciation for—and insight into—various events in American history. And blood.

In your hands is a poetry journal written by an undead poet, recounting his firsthand experience during the zombie plague. Little is known about the author before he turned into a zombie, but thanks to his continued writings in this journal - even after his death - you can accompany him from infection to demise. Through the intimate poetry of haiku, the zombie chronicles his epic journey through deserted streets and barricaded doors. Each three-line poem, structured in the classic 5-7-5 syllable structure, unravels a little more of the story. You'll love every eye-popping, gut-wrenching, flesh-eating page!

Essays in which happiness becomes a magic carpet, lifting readers above momentary fret and making the ordinary appears wondrous.

NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.

An illustrated poem which celebrates children who enjoy doing all kinds of activities. This poem originally appeared in The Random House book of poetry for children, published in 1983.