Seminar paper from the year 2005 in the subject Politics - Political Systems - Germany, grade: 1,3, University of Economics, Prague (Institut für Sozialwissenschaften), course: European Policy and Practice towards Ethnic Minorities, 29 entries in the bibliography, language: English, abstract: This essay is going to examine the recent developments of the situation of Turks in Germany. Starting from the overall approach of German politics, the life of the Turks in Germany will be analyzed concerning the following fields: education, language, religion, labour, organisations and media, housing conditions and identification with Germany. The aim of this paper is to recognize whether there is a trend towards an improvement of the living conditions of Turks or people of Turkish origin or not. The focus will thereby not be laid on the presentation of facts and figures but rather on presenting opinions and some possible solutions for solving problems in this field.

The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.

Provides a rich examination of how Turkish immigrants and their children created spaces of belonging in West German society.

Although their role is often neglected in standard historical narratives of the Reformation, the Ottoman Turks were an important concern of many leading thinkers in early modern Germany, including Martin Luther. In the minds of many, the Turks formed a fearsome, crescent-shaped horizon that threatened to break through and overwhelm. Based on an analysis of more than 300 pamphlets and other publications across all genres and including both popular and scholarly writings, this book is the most extensive treatment in English on views of the Turks and Islam in German-speaking lands during this period. In addition to providing a summary of what was believed about Islam and the Turks in early modern Germany, this book argues that new factors, including increased contact with the Ottomans as well as the specific theological ideas developed during the Protestant Reformation, destabilized traditional paradigms without completely displacing inherited medieval understandings. This book makes important contributions to understanding the role of the Turks in the confessional conflicts of the Reformation and to the broader history of Western views of Islam.

Contemporary television fictions allow the audience to experience the reality of everyday life in audio-visual spaces. Thus, controversial issues discussed in German society such as homosexuality, racism or ‘clashes of cultures’ are revisited in the social drama films produced for German television through a mixture of generic conventions such as tragedy, thriller and melodrama. Consequently, the audio-visual representations of the people, who are the focus of these discussions, represent an interesting area of research. The book deals with the audio-visual spatiality of the Turkish diaspora in Berlin in three contemporary TV films in this format; namely Wut (Range, dir. Zuli Aladağ, 2006), Die Neue (The Newcomer, dir. Buket Alakuş, 2015) and Nachspielzeit (Extra-Time, dir. Andreas Pieper, 2015). Therewith, it brings a spatial approach to the issue of ‘polemical belonging of the Turkish Diaspora to the German national space’ within the audio-visual context. The proposed spatial approach presents an alternative argument to the assumptions of German politicians, who celebrate ‘a common German history that bases on Christian-Jewish identity, democracy and enlightenment’.

Explores the conduct of the war in the Mediterranean region and examines the dramatic military events of this period

In the European discourse of post 9/11 reality, concepts such as “Multiculturalism”, “Integration” and “European Islam” are becoming more and more topical. The empirically- based contributions in this volume aim to reflect the variety of current Muslim social practices and life-worlds in Germany. The volume goes beyond the fragmented methods of minority case studies and the monolithic view of Muslims as portrayed by mass media to present fresh theoretical approaches and in-depth analyses of a rich mosaic of communities, cultures and social practices. Issues of politics, religion, society, economics, media, art, literature, law and gender are addressed. The result is a vibrant state-of-the-art publication of studies of real-life communities and individuals. Contributors are Kilian Bälz, Kea Eilers, Friedmann Eissler, Konrad Hirschler, Jeanette S. Jouili, Melanie Kamp, Matthias Kulinna, Judith Pies, Claudia Preckel, Robert Pütz, Mathias Rohe, Sabine Schiffer, Verena Schreiber, Christoph Schumann†, Wolfgang G. Schwanitz, Clara Seitz, Faruk Şen, Viola Shafik, Yafa Shanneik, Martin Sökefeld, Margrete Søvik, Levent Tezcan, Jörn Thielmann, Nikola Tietze and Maria Wurm.