A twenty-year-old crime, an accelerated death penalty, and an elitist family cover-up: Nyla races against the death row clock to save a woman the world is rooting for . . . and against. Which side will you choose? Twenty years ago, eighteen-year-old Francis Quick was convicted of murdering her best friend, Cora King, and sentenced to death. Now the highly debated Accelerated Death Penalty Act has passed giving Frankie thirty final days to live. Surprising everyone, one of the King family members sets out to challenge the woefully inadequate evidence and potential innocence of Frankie Quick. The at-first reluctant but soon-fiery Nyla and her unexpected ally—handsome country island boy Sam Stack—bring Frankie’s case to the international stage through her YouTube channel, Death Daze. They step into fame and a hometown battle that someone’s still willing to kill over. But who? The senator? The philanthropist? The pawn shop owner? Nyla’s own mother? Best advice: Don’t go to family dinner at the Kings’ estate. More people will leave in body bags than on their own two feet. And as for Frankie Quick, she’s a gem . . . even if she’s guilty. Praise for We Were Kings: “We Were Kings is the best kind of mystery novel—intelligent and bursting with heart. As Nyla untangled her family’s secrets, the twists left me breathless.” —Brittany Cavallaro, New York Times bestselling author “Bingeable. Atmospheric. A book that grabs hold and doesn’t let go. We Were Kings offers a delicious mystery perfect for fans of We Were Liars and A Good Girl’s Guide to Murder. I savored every word from beginning to end.” —Caroline George, author of The Summer We Forgot Young Adult suspense with some romance Stand-alone novel Includes discussion questions for book clubs

In 1950's Boston, the Irish Republican Army is running guns and killing witnesses. Cal and Dante are committed to stopping them. When a body is discovered at the Charlestown locks--tarred, feathered and shot to death--it appears to be a gangland killing, and is almost immediately dismissed. However, Cal O'Brien's cousin, Boston PD detective Owen Lackey, recognizes the murder style as the typical retribution for IRA informers. Combined with a tip-off about a boat coming into Boston weighed down with stolen guns and ammunition, the body in the locks hints that much more may be at stake than a one-off hit. Serpents in the Cold introduced us to Cal and Dante, whose previous investigation brought them to the highest ranks of Boston's political elite. This time, Cal and Dante descend into the city's shadowy underbelly--a world of packed dance halls, Irish wakes, and funeral parlors. There they discover a terrorist plot that will shake the city to its core and bring them head-to-head not only with Cal's past, but with the IRA Army Council itself.

We were Kings and Queens is a short story illustration of African-American History before the time of slavery. It explores the realities of the rich lineage, royal status, and the truth that must not be forgotten concerning the beginnings of Black History.

When British and American leaders today talk of the nation—whether it is Boris Johnson, Barack Obama, or Donald Trump—they do so, in part, in terms established by eighteenth-century British literature. The city on a hill and the sovereign individual are tropes at the center of modern Anglo-American political thought, and the literature that accompanied Britain’s rise to imperial prominence played a key role in creating them. We Are Kings is the first book to interpret eighteenth-century British literature from the perspective of political theology. Spencer Jackson returns here to a body of literature long associated with modernity’s origins without assuming that modernity entails a separation of the religious from the profane. The result is a study that casts this literature in a surprisingly new light. From the patriot to the marriage plot, the narratives and characters of eighteenth-century British literature are the products of the politicization of religion, Jackson argues; the real story of this literature is neither secularization nor the survival of orthodox Judeo-Christianity but rather the expansion of a movement beginning in the High Middle Ages to transfer the transcendent authority of the Catholic Church to the English political sphere. The novel and the modern individual, then, are in a sense both secular and religious at once—products of a modern political faith that has authorized Anglo-American exceptionalism from the eighteenth century to the present.

An illustrated edition of the traditional Christmas song.

Introduces the world of Roshar through the experiences of a war-weary royal compelled by visions, a highborn youth condemned to military slavery, and a woman who is desperate to save her impoverished house.