"Wayward Cognitions is a collection of photographs by Ed Templeton (born 1972), chosen from his archives spanning 20 years. For this volume, Templeton selected photographs that do not fit into his usual manner of organizing by theme or subject ... Wayward Cognitions represents the in-between moments that arise when shooting in the streets without theme or subject. "It's about looking, people watching, finding pleasure in the visual vignettes we glimpse each day," says Templeton. When those moments are removed from the context in which they were shot, dynamic stories can be told or imagined in book form. The photographs in Wayward Cognitions were printed by Templeton in his darkroom; he then created the layout and design himself, building the book from scratch in his home studio."--Publisher's website.

Wonder and wit meet in Templeton's unflinching photographs Tangentially Parenthetical is a selection of photographs from Ed Templeton's vast street photography archive--curated, arranged and then rearranged by the man himself. The next chapter to his previous book of photos (Wayward Cognitions, 2014), Tangentially Parenthetical picks up where the latter collection ended. By combining intimate, accidental and unconnected moments into one linear piece of work, he tells hundreds of new stories through the thoughtful arrangement of semi-related yet completely unfastened imagery. "I'm out there shooting photos all the time that don't necessarily fall under any theme other than general life," says Templeton, "which is a lame title for a book." With a wink to the absurd, sandwiched between a cover of patterned parentheses and with an afterword built from his own stream-of-consciousness storytelling, Templeton delivers a visual mountain from an archive of stunning molehills--the images are carefully chosen, shuffled by hand and laid out with the dueling impulses of wonder and wit. Born in 1972 and raised in the suburbs of Orange County, California, Ed Templeton is a painter, photographer and a respected cult figure in the subculture of skateboarding. His work has been exhibited worldwide.

The Cemetery of Reason is the first large monographic museum exhibition devoted to the work of Ed Templeton. Conceived as a mid-career retrospective, the S.M.A.K. exhibition combines and juxtaposes works from the last fifteen years of Templeton?s artistic practice with various new works and series. The exhibition tells the story of a pro skateboarder, a photographer, a drawer, a painter, etc. A story which, although it focuses on his own life and those of the people around him, transcends the autobiographical and exposes social and societal phenomena unhesitatingly but without pointing a finger.

There are teenage smokers and drinkers. There are those whose despondence is clearly evident as they confront the camera with vacant eyes. This, quite simply put, is The Golden Age of Neglect a classic example of Ed Templetons work which is deeply anchored in street life and street style, rock, punk, and rap, and the graphic culture of wall paintings, murals, tags, and graffiti A fixture of the Los Angeles skateboarding scene, Ed Templeton has been producing photographs, documenting a real story of his life, international tours, and encounters in the skateboarding world for over 10 years. Fueled by incredible raw energy, irreverence, and spontaneity, his work is comprised of an extraordinary number of photographs and canvases, as well as a body of graphic work from drawings, sketch books and collages to montages and correspondence. This book is the reprint of the original version, which quickly rose to cult status shortly after its first printing in 2003

. Renewal of Life by Transmission. The most notable distinction between living and inanimate things is that the former maintain themselves by renewal. A stone when struck resists. If its resistance is greater than the force of the blow struck, it remains outwardly unchanged. Otherwise, it is shattered into smaller bits. Never does the stone attempt to react in such a way that it may maintain itself against the blow, much less so as to render the blow a contributing factor to its own continued action. While the living thing may easily be crushed by superior force, it none the less tries to turn the energies which act upon it into means of its own further existence. If it cannot do so, it does not just split into smaller pieces (at least in the higher forms of life), but loses its identity as a living thing. As long as it endures, it struggles to use surrounding energies in its own behalf. It uses light, air, moisture, and the material of soil. To say that it uses them is to say that it turns them into means of its own conservation. As long as it is growing, the energy it expends in thus turning the environment to account is more than compensated for by the return it gets: it grows. Understanding the word "control" in this sense, it may be said that a living being is one that subjugates and controls for its own continued activity the energies that would otherwise use it up. Life is a self-renewing process through action upon the environment.

Ed Templeton