What is this sound? What does that sound indicate? These are two questions frequently heard in daily conversation. Sound results from the vibrations of elastic media and in daily life provides informative signals of events happening in the surrounding environment. In interpreting auditory sensations, the human ear seems particularly good at extracting the signal signatures from sound waves. Although exploring auditory processing schemes may be beyond our capabilities, source signature analysis is a very attractive area in which signal-processing schemes can be developed using mathematical expressions. This book is inspired by such processing schemes and is oriented to signature analysis of waveforms. Most of the examples in the book are taken from data of sound and vibrations; however, the methods and theories are mostly formulated using mathematical expressions rather than by acoustical interpretation. This book might therefore be attractive and informative for scientists, engineers, researchers, and graduate students who are interested in the mathematical representation of signals and the applications of Fourier analysis. The book can be described as being practically self-contained but does assume readers are familiar with introductory topics in discrete signal processing, as in the discrete Fourier transform. Hence this book might be also usable as a textbook in graduate courses in applied mathematics on topics such as complex functions. Almost all scientific phenomena are sensed as waves propagating in some space. Over the years, waveform analysis has therefore been one of the resilient academic areas of study and still is seen as fertile ground for development. In particular, waveform analysis based on the theory of linear systems would be a good example where a physical interpretation can be given to the mathematical theory of complex functions in terms of magnitude, angle, poles, and zeros of complex functions. For readers who are interested in the physical aspects of sound and vibration data or elementary formulation of wave equations and their solutions, the book Sound and Signals by M. Tohyama (Springer 2011) is recommended. It can serve as a complementary companion to this present volume or independently as a good reference.

What is this sound? What does that sound indicate? These are two questions frequently heard in daily conversation. Sound results from the vibrations of elastic media and in daily life provides informative signals of events happening in the surrounding environment. In interpreting auditory sensations, the human ear seems particularly good at extracting the signal signatures from sound waves. Although exploring auditory processing schemes may be beyond our capabilities, source signature analysis is a very attractive area in which signal-processing schemes can be developed using mathematical expressions. This book is inspired by such processing schemes and is oriented to signature analysis of waveforms. Most of the examples in the book are taken from data of sound and vibrations; however, the methods and theories are mostly formulated using mathematical expressions rather than by acoustical interpretation. This book might therefore be attractive and informative for scientists, engineers, researchers, and graduate students who are interested in the mathematical representation of signals and the applications of Fourier analysis. The book can be described as being practically self-contained but does assume readers are familiar with introductory topics in discrete signal processing, as in the discrete Fourier transform. Hence this book might be also usable as a textbook in graduate courses in applied mathematics on topics such as complex functions. Almost all scientific phenomena are sensed as waves propagating in some space. Over the years, waveform analysis has therefore been one of the resilient academic areas of study and still is seen as fertile ground for development. In particular, waveform analysis based on the theory of linear systems would be a good example where a physical interpretation can be given to the mathematical theory of complex functions in terms of magnitude, angle, poles, and zeros of complex functions. For readers who are interested in the physical aspects of sound and vibration data or elementary formulation of wave equations and their solutions, the book Sound and Signals by M. Tohyama (Springer 2011) is recommended. It can serve as a complementary companion to this present volume or independently as a good reference.

This is an up-to-date reference and textbook on modern acoustics from a signal-theoretic point of view, as well as a wave-theoretic approach for students, engineers, and researchers. It provides readers the fundamental basis of acoustics and vibration science and proceeds up to recent hot topics related to acoustic transfer functions and signal analysis including a perceptual point of view. In the first part, the work uniquely introduces into the fundamentals without using heavy mathematics The following, advanced chapters deal with new and deep insights into acoustic signal analysis and investigation of room transfer functions based on the poles and zeros.

In this book, the authors present current research in the study of the propagation, frequency and effects of sound waves. Topics discussed include time resolved visualisation and analysis on a single short acoustic wave generation; elastic vibrations of an isotropic plate with laser-induced atomic defects; sound velocity into turbulent medium; infrasound generation by turbulent convection; neutrons diffraction in a crystal under the influence of a sound wave; and, the transformation of sound waves in non-stationary media.

This book addresses the nature of sound, focusing on the characteristics of sound waves in the context of time structures. This time domain approach provides an informative and intuitively understandable description of various acoustic topics such as sound waves travelling in an acoustic tube or in other media where spectral or modal analysis can be intensively performed. Starting from the introductory topic of sinusoidal waves, it discusses the formal relationship between the time and frequency domains, summarizing the fundamental notions of Fourier or z-transformations and linear systems theory, along with interesting examples from acoustical research. The books novel approach is of interest to research engineers and scientists In particular, the expressions concerning waveforms including the impulse responses are important for audio engineers who are familiar with digital signal analysis. Every chapter includes simple exercises designed to be solved without the need for a computer. Thus they help reconfirm the fundamental ideas and notions present in every chapter. The book is self-contained and concise, and requires only basic knowledge of acoustics and signal processing, making it valuable as a textbook for graduate and undergraduate university courses.

The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics, Fifth Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers. With their clear and simple style, Howard and Angus cover both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, the underlying principles of sound processing, and the application of these concepts to music spaces to create professional sound. This new edition is fully revised to reflect new psychoacoustic information related to timbre and temporal perception, including an updated discussion of vocal fold vibration principles, samples of recent acoustic treatments, and a description of variable acoustics in spaces, as well as coverage of the environment’s effect on production listening, sonification, and other topics. Devoted to the teaching of musical understanding, an accompanying website (www.routledge.com/cw/howard) features various audio clips, tutorial sheets, questions and answers, and trainings that will take your perception of sound to the next level. This book will help you: Gain a basic grounding in acoustics and psychoacoustics with respect to music audio technology systems Incorporate knowledge of psychoacoustics in future music technology system designs as appropriate Understand how we hear pitch, loudness, and timbre Learn to influence the acoustics of an enclosed space through designed physical modifications

Karlheinz Brandenburg and Mark Kahrs With the advent of multimedia, digital signal processing (DSP) of sound has emerged from the shadow of bandwidth limited speech processing. Today, the main appli cations of audio DSP are high quality audio coding and the digital generation and manipulation of music signals. They share common research topics including percep tual measurement techniques and analysis/synthesis methods. Smaller but nonetheless very important topics are hearing aids using signal processing technology and hardware architectures for digital signal processing of audio. In all these areas the last decade has seen a significant amount of application oriented research. The topics covered here coincide with the topics covered in the biannual work shop on “Applications of Signal Processing to Audio and Acoustics”. This event is sponsored by the IEEE Signal Processing Society (Technical Committee on Audio and Electroacoustics) and takes place at Mohonk Mountain House in New Paltz, New York. A short overview of each chapter will illustrate the wide variety of technical material presented in the chapters of this book. John Beerends: Perceptual Measurement Techniques. The advent of perceptual measurement techniques is a byproduct of the advent of digital coding for both speech and high quality audio signals. Traditional measurement schemes are bad estimates for the subjective quality after digital coding/decoding. Listening tests are subject to sta tistical uncertainties and the basic question of repeatability in a different environment.