#1 Bestseller in the U.K. From the New York Times bestselling author and master of martial fiction comes the definitive, illustrated history of one of the greatest battles ever fought—a riveting nonfiction chronicle published to commemorate the 200th anniversary of Napoleon’s last stand. On June 18, 1815 the armies of France, Britain and Prussia descended upon a quiet valley south of Brussels. In the previous three days, the French army had beaten the Prussians at Ligny and fought the British to a standstill at Quatre-Bras. The Allies were in retreat. The little village north of where they turned to fight the French army was called Waterloo. The blood-soaked battle to which it gave its name would become a landmark in European history. In his first work of nonfiction, Bernard Cornwell combines his storytelling skills with a meticulously researched history to give a riveting chronicle of every dramatic moment, from Napoleon’s daring escape from Elba to the smoke and gore of the three battlefields and their aftermath. Through quotes from the letters and diaries of Emperor Napoleon, the Duke of Wellington, and the ordinary officers and soldiers, he brings to life how it actually felt to fight those famous battles—as well as the moments of amazing bravery on both sides that left the actual outcome hanging in the balance until the bitter end. Published to coincide with the battle’s bicentennial in 2015, Waterloo is a tense and gripping story of heroism and tragedy—and of the final battle that determined the fate of nineteenth-century Europe.

Waterloo was the last battle fought by Napoleon and the one which finally ended his imperial dreams. It involved the deployment of huge armies and incurred heavy losses on both sides; for those who fought in it, Dutch and Belgians, Prussians and Hanoverians as well as British and French troops, it was a murderous struggle. It was a battle that would be remembered very differently across Europe. In Britain it would be seen as an iconic battle whose memory would be enmeshed in British national identity across the following century. In London news of the victory unleashed an outburst of patriotic celebration and captured the imagination of the public. The Duke of Wellington would go on to build his political career on it, and towns and cities across Britain and the Empire raised statues and memorials to the victor. But it was only in Britain that Waterloo acquired this iconic status. In Prussia and Holland its memory was muted - in Prussia overshadowed by the Battle of the Nations at Leipzig, in Holland a simple appendage to the prestige of the House of Orange. And in France it would be portrayed as the very epitome of heroic defeat. Encapsulated in the bravery of General Cambronne and the last stand of the Old Guard, remembered movingly in the lines of Stendhal and Victor Hugo, the memory of Waterloo served to sustain the romantic legend of the Napoleonic Wars - and contributed to the growing cult of Napoleon himself.

The consequences of Napoleon’s most famous defeat are explored in this “highly readable, richly anecdotal retelling of the battle’s devastating results” (Kirkus). In the early morning hours of June 19, 1815, more than 50,000 men and 7,000 horses lay dead and wounded on a battlefield just south of Brussels. In the hours, days, weeks, and months that followed, news of the battle would begin to shape the consciousness of an age; the battlegrounds would be looted and cleared, its dead buried or burned, its ground and ruins overrun by tourists; the victorious British and Prussian armies would invade France and occupy Paris. And for Napoleon, there was no avenue ahead but surrender, exile and captivity. In this dramatic account of the aftermath of the Battle of Waterloo, Paul O'Keeffe employs a multiplicity of contemporary sources and viewpoints to create a reading experience that brings into focus as never before the sights, sounds, and smells of the battlefield, of conquest and defeat, of celebration and riot.

Portrays two soldiers separated by two walls who spy on each other day and night until one day they finally meet face-to-face.

Jac Weller studies every move and counter-move of the battle, recreating not only the actions and tactics of the two great leaders but the epic engagements and clashes between the troops themselves that were pivotal for the victory or defeat. The author also studies the related battles of Quatre Bras and Ligny. He takes the reader with him onto the battlefield of Waterloo, a terrain whose features are still recongnisable today, and which is bought to life for the reader by detailed maps and by the authors vivid and riveting descriptions of the progress of the fighting.This completely original approach, appreciated by the Times Literary Supplement on the books first publication, strikes as fresh today, and this new edition, with an introduction specially written for it by the author, will be eagerly read by military enthusiasts and general reader alike.

In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself. Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.