Hannah kept wondering why this was happening to her. Two people had been murdered, and somebody was telling her in advance how they would die. But why were they killed?

'I need your help, Detective. Fire or water?' Detective Robert Hunter of the LAPD's Homicide Special Section receives an anonymous call asking him to go to a specific web address - a private broadcast. Hunter logs on and a show devised for his eyes only immediately begins. But the caller doesn't want Detective Hunter to just watch, he wants him to participate, and refusal is simply not an option. Forced to make a sickening choice, Hunter must sit and watch as an unidentified victim is tortured and murdered live over the Internet. The LAPD, together with the FBI, use everything at their disposal to electronically trace the transmission down, but this killer is no amateur, and he has covered his tracks from start to finish. And before Hunter and his partner Garcia are even able to get their investigation going, Hunter receives a new phone call. A new website address. A new victim. But this time the killer has upgraded his game into a live murder reality show, where anyone can cast the deciding vote.

Disturbed Deceptive The houses in Willow Tree Court are sleek and modern-the kind designed to harbor happy families and laughing children. No one would guess the secrets that lurk beyond the neat lawns and beautiful facades. Depraved Molly Dennehy is trying to fit in to her new surroundings, though her neighbors are clearly loyal to her husband's ex-wife. But that's the least of Molly's worries. Her stepson's school has been rocked by a brutal slaying, and a psychopath known as the Cul-de-Sac Killer is murdering families in Seattle homes. Homes just like Molly's. Disturbed With each passing day, Molly grows more convinced that someone is watching her family, someone consumed with rage and vengeance. On this quiet road, a nightmare has been unleashed, and the trail of terror will lead right to her door. . . The Last Victim A Killer's Masterpiece At first, Bridget Corrigan's work with her twin brother's senatorial campaign is an exciting distraction from the trauma of her messy divorce. But everything changes when Bridget is reminded of the secret she and Brad have been keeping since high school, a secret that could destroy the campaign--and their lives. Someone else knows what they did. Someone who's been picking off the members of their little group one by one. . . Will Be Painted His job keeps him busy, but he loves every moment of it. Following them, photographing them, and immortalizing them on canvas. He knows exactly how they'll look when the last breath is drawn, because he has planned out their deaths with perfect precision. And the best is yet to come: Bridget Corrigan. He has very special plans for her portrait--she just doesn't know it yet. . . In Cold Blood With every "accident" that befalls the members of her old clique, Bridget feels danger edging closer to home. Yet uncovering the truth about the killer would mean revealing what really happened that horrible night years ago. She'll have to find someone to trust--the question is, who? Because turning to the wrong person could be the last mistake she ever makes. . . Watch them Die Different Victims The blonde film student. The brunette paralegal. The red-headed artist. Different Methods The first victim is strangled. The second is stabbed repeatedly. And the third is pushed out of an open window. Same Madman In the city of Seattle, no single woman is safe. From afar he watches the ones he so desperately wants. Willing to do whatever it takes to prove his love. But should his latest obsession betray him, he will have no choice but to punish her. By finding new and brutal ways to teach her a lesson. And by finally loving her--to death. . .

NOMINATED FOR THE McILVANNEY PRIZE 2020 FOR SCOTTISH CRIME BOOK OF THE YEAR 'Truly difficult to put down’ Daily Mail 'High-concept plot keeps the 'tecs and the reader on their toes’ Sunday Times Crime Club 'Robertson is a master storyteller . . . never less than gripping’ Scotsman 'Devilishly clever . . . This might be his best yet' SJI Holliday​, author of Violet 'Perfect for fans of Thirteen by Steve Cavanagh' Reader review ONLY ONE PERSON CAN SAVE YOU. AND HE WANTS YOU DEAD. Police find a man dead at his home in Los Angeles. Nothing suggests foul-play but elements of the victim’s house show that something is deeply wrong. Meanwhile, in Glasgow, DI Rachel Narey is searching for a missing young woman – and the man she suspects of killing her. When a feed broadcasting the slow and painful death of a final victim is discovered, these two cases become linked. There’s no way to identify him. No way to find him No way to save him. Not without the cooperation of a killer. And the only way he will cooperate is if he can watch him die. Praise for Craig Robertson: 'Robertson does something bold with this one, adding a storyline set in America, and he pulls it off magnificently . . . The links to real murders from history, most notably The Black Dahlia case, are soon brought to the fore and the investigation’s relevance to Narey’s own search for a missing woman in Glasgow is made apparent via some skillful plotting' Spectator ‘A maestro of Tartan noir . . . High-concept plot keeps the 'tecs and the reader on their toes’ Sunday Times, Crime Club ‘Exceptionally talented . . . Robertson’s skill in matching the atmosphere of LA with that of Scotland is mightily impressive, as is his ability to maintain the suspense that lies at the heart of the search for a dying man. This is truly difficult to put down’ Daily Mail 'Robertson is a master storyteller – sensitive, realistic, terrifying and humorous – and Watch Him Die is never less than gripping’ The Scotsman 'Robertson’s latest criminal masterpiece . . . a thoroughly modern, breathless thriller that not only showcases the writer’s broad spectrum of talents. Plenty for fans to get on board with here and a fantastic introduction to one of Scotland’s premier crime writers’ Scottish Sun 'Brilliantly and sensitively written' Steve Cavanagh, bestselling author of Thirteen 'I can't recommend this book highly enough' Martina Cole

In The Hands Of A Sadist. . . First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter--warning her, "Scream and I will kill you both"--before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there. . . In The Crosshairs Of A Killer. . . Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant. . .and so normal." But behind Stanko's mild-mannered appearance, round spectacles, and quiet intelligence was a coldblooded ex-convict who kept a grisly scrapbook on serial killers--and convinced everyone he was a nice guy--until he killed and killed again. On The Trail Of A Psycho. . . A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death. Case Seen On 48 Hours Includes 16 Pages of Shocking Photos

There’s an entire industry built on the idea of helping people to push hard and succeed in love, work, fitness, and finances. But what about those people who would so much rather stay home and eat pizza with the cat while binge-watching Netflix? Who’s telling them that it’s OK to be a couch potato? Blair, that’s who. The creation of cartoonist and stand-up comic Mo Welch, Blair is the awkward, self-deprecating, totally relatable anti-heroine who already has 65,000 followers on Instagram and an animated show on TBS Digital. Now Blair is the face, the voice, and the attitude of How to Die Alone, the perfect self-help book for not helping yourself—and a funny, irreverent gift for millennials struggling to “adult.” Forget winning friends and influencing people—here’s advice on how to win the Worst Friend Award instead, including: Always be late, never offer to drive (anywhere), and treat your friend’s kitchen like an open bar. Plus the ins and outs of terrible dates, permission to eat cookies instead of going to the gym, and how to treat your job like the inconvenience that it is. It’s the genuinely funny, tongue-in-cheek guide to just saying no.