When Warren Zevon died in 2003, he left behind a rich catalog of dark, witty rock 'n' roll classics, including "Lawyers, Guns and Money," "Excitable Boy," and the immortal "Werewolves of London." He also left behind a fanatical cult following and veritable rock opera of drugs, women, celebrity, genius, and epic bad behavior. As Warren once said, "I got to be Jim Morrison a lot longer than he did." Narrated by his former wife and longtime co-conspirator, Crystal Zevon, this intimate and unusual oral history draws on interviews with Bruce Springsteen, Stephen King, Bonnie Raitt, and numerous others who fell under Warren's mischievous spell. Told in the words and images of the friends, lovers, and legends who knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory.

(Book). Warren Zevon songs are like chapters in a great American novel. Its story lies in the heart of his and our psyche. The lines are blurred. We never seem to know if we are looking in a mirror or peering through a window; we only know that when we listen we see something . The music sets the scene his voice a striking baritone, its narrator our guide through a labyrinth of harrowing narratives. The plot unfolds without subtlety; each musical and lyrical arc awakens imagination. In Accidentally Like a Martyr: The Tortured Art of Warren Zevon , music journalist James Campion presents 13 essays on seminal Zevon songs and albums that provide context to the themes, inspirations, and influence of one of America's most literate songwriters. In-depth interviews with Zevon's friends and colleagues provide first-person accounts of how the music was lived, composed, recorded, and performed. Longtime fans of this most uniquely tortured artist, as well as those who want to discover his work for the first time, will get inside the mind, talent, and legacy of the wildly passionate Excitable Boy.

Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song—the rollicking 1978 hit “Werewolves of London”—Zevon’s smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing. Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music’s most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon’s 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon’s classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon’s initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon’s distinctive style and songwriting themes and continue to make Zevon’s work a telling portrait of Los Angeles and American culture.

Bruce Springsteen called him ‘one of the great, great American songwriters’, Jackson Browne hailed him as ‘the first and foremost proponent of song noir’ and Stephen King once said that if he could write like Zevon, he ‘would be a happy guy’. The list of artists that lined up to appear on his records include Springsteen, Neil Young, Bob Dylan, Dave Gilmour and Emmylou Harris. So how is it that most people, if they have heard of Warren Zevon at all, know him only as ‘that werewolves guy’? This book goes beyond that solitary hit single to examine all aspects of Zevon’s multifaceted, five-decade career, from his beginnings in the slightly psychedelic folk duo lyme and cybelle, through to his commercial breakthrough in the late Seventies with Excitable Boy, his critically acclaimed late Eighties comeback Sentimental Hygiene, his decline into cult obscurity, and his triumphant if heart-breaking final testament The Wind released just prior to his death in 2003. Along the way, the reader will discover one of rock’s consummate balladeers, as well as his cast of characters, which include doomed drug dealers, psychopathic adolescents, outlaws of the Old West, BDSM fetishists, ghostly gunslingers and, yes, lycanthropes unleashed on the streets of London. Peter Gallagher is the author of Marc Bolan, Tyrannosaurus Rex, and T. Rex on track for Sonicbond. He is a regular contributor to Shindig! magazine and his fiction has appeared in Writing Magazine and The London Reader. His is also working on Kiss in the 1970s, also for SonicBond, and he is working on a novel set in the Weimar Republic, which he hopes will see publication sometime before the cows come home. He lives in Glasgow, Scotland.

A Best Book of the Year at The Atlantic Los Angeles Times Bestseller "[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." —Geoff Dyer, author of Out of Sheer Rage Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment. In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother’s cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or “cracking up,” he embarked on an obsessive journey to make sense of the mythologies of “success” and “failure” that haunt the artist’s life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It’s a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author’s own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives. At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person’s attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.