This edited collection contributes to the current vivid multidisciplinary debate on East European memory politics and the post-communist instrumentalization and re-mythologization of World War II memories. The book focuses on the three Slavic countries of post-Soviet Eastern Europe – Russia, Ukraine and Belarus – the epicentre of Soviet war suffering, and the heartland of the Soviet war myth. The collection gives insight into the persistence of the Soviet commemorative culture and the myth of the Great Patriotic War in the post-Soviet space. It also demonstrates that for geopolitical, cultural, and historical reasons the political uses of World War II differ significantly across Ukraine, Russia and Belarus, with important ramifications for future developments in the region and beyond. The chapters 'Introduction: War and Memory in Russia, Ukraine and Belarus', ‘From the Trauma of Stalinism to the Triumph of Stalingrad: The Toponymic Dispute over Volgograd’ and 'The “Partisan Republic”: Colonial Myths and Memory Wars in Belarus' are published open access under a CC BY 4.0 license at link.springer.com. The chapter 'Memory, Kinship, and Mobilization of the Dead: The Russian State and the “Immortal Regiment” Movement' is published open access under a CC BY-NC-ND 4.0 license at link.springer.com.

This book examines the ways in which Russia and Belarus use disinformation, "weaponised" historical narratives, and the politics of memory for domestic and foreign policy purposes, utilising these factors to justify aggressive foreign policy in defensive terms and, domestically, for legitimating local ruling elites, consolidating the states’ propaganda machines, and mobilising both societies around national power centres. Besides analysing Russian and Belarusian disinformation, geopolitical narratives, and policies, the book also assesses the effectiveness of these measures and discusses how the West can counteract the geopolitical narratives disseminated by Russia and Belarus that attempt to undermine Western democracies and weaken the resilience of its societies.

This book describes the author's academic journey from an undergraduate in London to his current research on Ukraine and Belarus as a History professor in Alberta, Canada. It highlights the dramatic changes of the late Soviet and post-Soviet periods, his travel stories, experiences, and the Stalinist legacy in both countries. It includes extended focus on his visits to Chernobyl and the contaminated zone in the late 1980s and 1990s, as well as a summer working with indigenous groups in eastern Siberia. Visiting Belarus more than 25 times since the 1990s, he was banned for seven years before the visa rules were relaxed in 2017. In the case of Ukraine, it chronicles a transition from a total outsider to one of the best-known scholars in Ukrainian studies, commenting on aspects of the coalescence of scholarship and politics, and the increasing role of social media and the Diaspora in the analysis of crucial events such as the Euromaidan uprising and its aftermath in Kyiv. David R. Marples is a Distinguished University Professor of Russian and East European History at the Department of History and Classics, University of Alberta, Canada.

"Yekelchyk posits that contemporary representations of the past reflected the USSR's evolution into an empire with a complex hierarchy among its nations. In reality, he argues, the authorities never quite managed to control popular historical imagination or fully reconcile Russia's 'glorious past' with national mythologies of the non-Russian nationalities."--

In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.

A major contribution to our understanding of present-day historical consciousness through a study of memory laws across Europe.

World War II, known as the Great Patriotic War to Russians, ravaged the Soviet Union and traumatized those who survived. After the war, memory of this anguish was often publicly repressed under Stalin. But that all changed by the 1960s. Under Brezhnev, the idea of the Great Patriotic War was transformed into one of victory and celebration. In Russia's Hero Cities, Ivo Mijnssen reveals how contradictory national recollections were revised into an idealized past that both served official needs and offered a narrative of heroism. This triumphant narrative was most evident in the creation of 13 Hero Cities, now located across Russia, Belarus, and Ukraine. These cities, which were host to some of the fiercest and most famous battles, were named champions. Brezhnev's government officially recognized these cities with awards, financial contributions, and ritualized festivities. Their citizens also encountered the altered history at every corner—on manicured battlefields, in war memorials, and through stories at the kitchen table. Using a rich tapestry of archival material, oral history interviews, and newspaper articles, Mijnssen provides a thorough exploration of two cities in particular, Tula and Novorossiysk. By exploring the significance of Hero Cities in Soviet identity and the enduring but conflicted importance they hold for Russians today, Russia's Hero Cities exposes how the Great Patriotic War no longer has the power to mask the deep rifts still present in Russian society.