“Lorraine Heath’s books are always magic.” —Cathy Maxwell “She writes the most powerfully moving love stories in romance today.” —Jill Barnett “Heath steals your heart, then takes you on a journey that will leave you torn between tears and joy.” —Christina Dodd Meet London’s Greatest Lovers! New York Times bestselling author Lorraine Heath’s delights and enchants, moves and mesmerizes historical romance readers with Waking Up With the Duke, the third installment in her unforgettable series in which the rakish sons of a scandalous Dowager Duchess, discover passion, pleasure, and true love. Perfect for Lisa Kleypas and Liz Carlyle fans, Waking Up With the Duke transports readers back to Victorian England, where a dangerous passion is born when a handsome rogue nobleman is approached with a most unusual request…

"Category: historical"--Page 4 of cover.

"Men who inherit great wealth are respected, but women who do the same are ridiculed. In The Silver Swan, Sallie Bingham rescues Doris Duke from this gendered prison and shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem A bold portrait of Doris Duke, the defiant and notorious tobacco heiress who was perhaps the greatest modern woman philanthropist In The Silver Swan, Sallie Bingham chronicles one of the great underexplored lives of the twentieth century and the very archetype of the modern woman. “Don’t touch that girl, she’ll burn your fingers,” FBI director J. Edgar Hoover once said about Doris Duke, the inheritor of James Buchanan Duke’s billion-dollar tobacco fortune. During her lifetime, she would be blamed for scorching many, including her mother and various ex-lovers. She established her first foundation when she was twenty-one; cultivated friendships with the likes of Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. This is also the story of the great houses she inhabited, including the classically proportioned limestone mansion on Fifth Avenue, the sprawling Duke Farms in New Jersey, the Gilded Age mansion Rough Point in Newport, Shangri La in Honolulu, and Falcon’s Lair overlooking Beverly Hills. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. In 2012, when eight hundred linear feet of her personal papers were made available, Sallie Bingham set out to probe her identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham is especially interested in dissecting the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

New York Times bestselling author Lorraine Heath kicks off another enthralling series, this time following the fortunes of the Lost Lords of Pembrook—three dark and dangerous noble brothers imprisoned and robbed of their inheritance, but free now and determined to reclaim their birthright. Perfect for fans of Lisa Kleypas and Liz Carlyle. Sebastian Easton always vowed he would avenge his stolen youth and title. Now back in London, the rightful Duke of Keswick—returning from battle a wounded, hardened, changed man—cannot forget the brave girl who once rescued him and his brothers from certain death. Lady Mary Wynne-Jones paid dearly for helping the imprisoned young Lords of Pembrook, and she remembers well the promise she made to Sebastian all those years ago: to meet him once more in the abbey ruins where they shared a bold, forbidden kiss. While Mary is now betrothed to another, a friendship forged with dark secrets cannot be ignored. Unexpected passion soon burns dangerously between them, tempting Sebastian to abandon his quest for retribution and fight for a love that could once again set him free.

Identifies nine values on which America was built--including manliness, profit, individuality, and religious faith--arguing that these values are under attack by Democratic leaders and must be embraced to revive the nation's dominance.

In this collection of essays, the author describes fundamental principles of human learning in the context of teaching music. Written in a conversational style, the individual essays outline the elements of intelligent, creative teaching. Duke effectively explains how teachers can meet the needs of individual students from a wide range of abilities by understanding more deeply how people learn. Teachers and interested parents alike will benefit from this informative book.