Once upon a time there was a mean, dying GOP chairman who had a brilliant scheme to assure that his man would retain the office of president of the United States of America. And the only man who could pull off this elaborate plan was a celebrated Hollywood director. Add to the mix a left-coast gumshoe named Broz who is trapped among cover-ups, undercover work, and his own morality, a cast of bicoastal desperate characters, and the stage is set for a powerful D.C./L.A. production. From Edgar award winning author Larry Beinhart, Wag the Dog was the most brilliant political satire of the last decade. It was made into a classic film by Barry Levinson, and, fortunately, is now back in print.

The perfect holiday gift for dog owners: [a] must-have guide to improving your dog's life (Modern Dog Magazine). As seen in The New York Times, People, SLATE, Psychology Today "[A] must-have guide to improving your dog's life." -Modern Dog Magazine Whether you are training a new puppy, considering adopting a dog, researching dog breeds, or simply curious about your own dog's happiness and behavior, Wag has all the answers-and then some. Respected dog trainer and social psychologist, Zazie Todd, demystifies the inner life of canines and shares recommendations from leading veterinarians, researchers, and trainers to help you cultivate a rewarding and respectful relationship with your dog-which offers many benefits for you, your family, and your four-legged friend. "Inside this engaging, practical book, readers will find: -A Check List for a Happy Dog -Enrichment exercises - How to socialize and train a new puppy -How to reduce fear and anxiety in dogs -Tips for visiting the vet -Information on aging dogs -Expert interviews with vets and psychologists -And so much more! "Dog owners and those considering becoming one should appreciate Todd's substantial insight into how dogs and humans relate to one another"-Publishers Weekly

Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world.

Impassioned in its anger, lethal in its aim, American Hero paints a scathing portrait of the strange place this country had become in the Reagan-Bush years--and shows how only Hollywood could have taken full advantage of the demise of the Old World Order.

The continuing crisis in Syria has raised questions over the common perception of Middle Eastern affairs as an offshoot of global power politics. To Western intellectuals, foreign policy experts, and politicians, “empire” and “imperialism” are categories that apply exclusively to Europe and more recently to the United States of America. As they see it, Middle Eastern history is the product of its unhappy interaction with these powers. Forming the basis of President Obama's much ballyhooed “new beginning between the United States and Muslims around the world,” this outlook is continuing to shape crucial foreign policy among Western governments, but in these pages, Efraim Karsh propounds a radically different interpretation of Middle Eastern experience. He argues that the Western view of Muslims and Arabs as hapless victims is absurd. On the contrary, modern Middle Eastern history has been the culmination of long-existing indigenous trends. Great power influences, however potent, have played a secondary role constituting neither the primary force behind the region's political development nor the main cause of its notorious volatility. Karsh argues it is only when Middle Eastern people disown their victimization mentality and take responsibility for their actions and their Western champions drop their condescending approach to Arabs and Muslims, that the region can at long last look forward to a real “spring.”

Desmond is a good dog until someone teaches him that being bad can be fun. Includes pop-up illustrations.

It seems that everything gets Earl's tail wagging--a bowl of food, a field of flowers, long walks, and belly rubs. But Mooch, Earl's best friend, knows what all of these things have in common: love is what makes Earl's tail wag. Patrick McDonnell, creator of the nationally syndicated comic strip, Mutts, pays an incredibly sweet tribute to his dog in a tale of wiggling and waggling, fwipping and fwapping...and every dog's secret to the joy of life.