Voices, tells of a world where lives are adrift in a sea of flames. Such an atmosphere of dancing human remains may be hard to imagine unless it's been lived. Like firebrands streaking through a black night sky, Spirit things can seem a fantasy to a casual eye. As for the telling's in this book: they're not a glimpse aEUR| but a deep gaze and the encounters of a human soul. Born far apart, Sue and Bob's lives began as fairytales aEUR| but as fairytales will do, their dreams bled-out and soaked the ground! Broken homes, drugs, alcohol, and a confused moral compass led them down treacherous paths. Then in 1973, while drifting through the universe, their twisting paths collided one day in the dark. Bob was a violent atheist, who professed he was god; Sue, who once aspired to be a Nun, now dabbled in mysticism in her parched thirst for truth. Then came the days of the Valiant ones who laid siege to our Kingdom for four months. Two months in, Sue prayed through the nightaEUR| and when I learned of it, I threatened her life. God then showed her in a dream, my soul, now completely void of light - and as she watched, giant, soulless birds began devouring me. Two weeks later and close to death, alone in my room I prayed, and once I asked for forgiveness, a voice above me spoke. So the days of my dying ended aEUR| for the days of miracles had now begun! This is a true story

Sue and Bob's lives began as fairytales ... but as fairytales will do, their dreams bled-out and soaked the ground! Broken homes, drugs, and alcohol led them down treacherous paths. While drifting through the universe, their twisting paths collided. Bob was a violent atheist; Sue dabbled in mysticism in her parched thirst for truth.

Peasants of remote history rarely speak to us in their own voices, but Thomas Bisson's engagement with the records of several hundred twelfth-century rural Catalonians enables us to hear these voices. Bisson describes these peasants socially and culturally, showing how their experience figured in a wider crisis of power during the twelfth century.

An astonishing true story and an unforgettable exploration of faith, divine hope and love, this memoire details the strength and courage it has taken to survive and persevere through the loss of my first-born child. No one ever dreams of being the mother who loses their child to suicide. No one ever wishes to feel the struggles of mental illness and addiction. But sadly, I am here to tell you it happens, it happened to me, my family and thankfully, I have survived both. This book will take you through the emotional and physical torment that had engulfed my mind, my body and my soul. I had lost my voice and refused to acknowledge my truth but writing my story has led me through the process of grief and I finally found a way to engage wholeheartedly. The details of dreadful wounds and the horrors of self-infliction, my memoire serves deeply the ones who feel they are alone and defeated by loss.

An insider's true story of how Fox News and the conservative media conspired to undermine facts and lay the groundwork for Trump's election.

You like "Midnight Express", you will love this moving and heartbreaking taleThe true story of Philippe Combes imprisoned for two years in Morocco. This story does not take place in the 1970s on the other side of the world but today and only 18 kilometers from Europe. Philippe Combes is a renowned and happy businessman. There have been happy days with his partner for over two years, when they both decided to leave for Marrakech. A new life in the continuity of the daily happiness they share. Morocco is quickly becoming a welcoming land and they fall in love with it as deeply as they are with each other. For a year, they will invest themselves personally and professionally in order to make their contribution to the development of this country which is dear to them. A single meeting with three of its nationals will however rock everything. Through this story, you will discover the judicial and prison world in what is most terrible: humiliated, beaten, tortured, dehumanized, Philippe Combes will only have his strength and his dignity to stand up. You will understand how, in full knowledge of the facts, the country of Human Rights has let one of its fellow citizens languish in what is the worst prison in this world. Left to its own devices, you will discover the daily life of a man who has no other goal than to survive in order to regain his freedom. "If you were the first of your friends to read PRISONER NO 73863, you would absolutely recommend this story." The Sun "The plot of this story is dizzying. PRISONER No. 73863 is a powerful book, with no escape, but deeply moving and sincere. Breathtaking. C. L. Taylor "Captivating and well conducted." The Sunday Mirror "A true, exciting and exhilarating story." Rachel Rhys "Strong story readers will love it." - Library Journal "A masterful plot! We hold our breath until the last page. - The New York Times "A breathless suspense." - Sunday Express "A very effective story, a breathtaking suspense, a great humanity." - Herald

A study of post–World War II plays set in “total institutions” such as hospitals, psychiatric wards, prisons, and military bases Plays of Impasse probes the structure and significance of the numerous and highly visible plays set in contemporary society’s dead ends—the hospitals, psychiatric wards, prisons, and military training camps so aptly described by Irving Goffman as “total institutions.” Carol Rosen shows how the setting in these plays tends to engulf and then to exclude the audience, turning an encompassing stage structure—a closed, controlling, absolute system—into a protagonist that overwhelms the characters. In discussions ranging from Harold Pinter’s The Hothouse to Samuel Beckett’s Endgame, she further maintains that the impasse of characters in reductive environments supplies a unifying image for post–World War II drama in general. This state of impasse pervades contemporary drama. Everyday activities and attempts to endure life in a parenthesis are vacated of traditional social or moral meaning onstage. The pain of this kind of survival, spatially fixed, is at the heart of Endgame, for example, an extreme instance of this mode of drama at the edge of existence. In plays such as Peter Nichols’s The National Health, Peter Weiss’s Marat/Sade, Friedrich Dürrenmatt’s The Physicists, David Storey’s Home, Brendan Behan’s The Quare Fellow, Jean Genet’s Deathwatch, and David Rabe’s The Basic Training of Pavlo Hummel, the splintered self, like the divided society, strives to endure against enormous, codified odds. Even in plays not depicting the rigidity of institutions, the contemporary dramatic mode is finally characterized by sparse, introspective action in a closed system—an onstage model of a world gone awry, a world at an impasse. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.