A slippery, blackly comic gem of a novel that lovingly recreates the grubby glamour of early sixties London and introduces an irresistible anti-heroine.

Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky. In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask “What if?” and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly? While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader. In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.

Jane James knows that she must have been born to better things than a dingy bedroom in her Aunt Doreen's house in Norbury and evenings spent eating gala pie and Heinz tinned potato salad in their 'sitting-cum-dining room'. So, armed with her well-thumbed copy of Lady Be Good, she practises her French turns, her killer smile and precisely how much thigh to show when crossing her legs, and dreams of a time when she can be a part of the world she glimpses through the Mayfair windows of the cashmere shop where she works. When she finds a crocodile handbag left in a pub, it leads her to Suzy St John, a girl-about-town with the glamour, the confidence and the irresistible allure that Jane has been practising for so long. Suzy takes Jane under her wing, and Jane becomes Janey, a near carbon-copy of her new best friend and a delighted adventurer in an easy, sleazy, sixties West-End world of part-time modelling and full-time man-trapping. Her new, improved self catwalks confidently through nightclubs, rag trade showrooms and luxury Mayfair flats but Jane finds that she can never quite drown out the carping voice of her past - or the nagging doubt that there might be slightly more to life than a mutation mink jacket or an engagement ring. When a shocking act of violence threatens to bring Jane's glittering new life crashing down around her she must call on all her powers of reinvention if her dyed-to-match stilettos are to carry her away unscathed.

Walk into any nursery, florist, or supermarket, and you’ll encounter displays of dozens of gorgeous flowers, from chrysanthemums to orchids. At one time these fanciful blooms were the rare trophies of the rich and influential—even the carnation, today thought of as one of the humblest cut flowers. Every blossom we take for granted now is the product of painstaking and imaginative planning, breeding, horticultural ingenuity, and sometimes chance. The personalities of the breeders, from an Indiana farmer to Admiral Lord Gambier’s gardener, were as various and compelling as the beauty they conjured from skilled hybridization. In Visions of Loveliness: Great Flower Breeders of the Past, Judith Taylor wrote engagingly about the vivid history and characters behind eighteen types of popular flowers. In this companion volume she uncovers information about another eight familiar flowers: poinsettias, chrysanthemums, gladioli, pansies, carnations, water lilies, clematis, and penstemons. Taylor has tapped into an enormous trove of stories about extraordinary people with vision and skill who added to our enjoyment piece by piece, starting about 150 years ago. This beautifully illustrated book will please flower enthusiasts, gardeners, and history buffs alike.

1929. A girl is strangled in a London alley, the mangled corpse of a peeping Tom is found in a railway tunnel and the details of the latest trunk murder are updated hourly in the evening papers. Into this world steps Dora Strang, doctor's daughter and filing clerk to the country's pre-eminent pathologist, Alfred Kemble. Thrilled by the post-mortems and court cases, Dora is further fascinated by Kemble himself, a glamorous and enigmatic war hero. But her job holds several surprises and as things take a distinctly ghastly turn the tabloid journalists sharpen their pencils in morbid anticipation...

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.