Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, “Keywords for Affect” and “Missed Conceptions about Affect,” in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.

Gilles Deleuze once claimed that ‘modern science has not found its metaphysics, the metaphysics it needs.’ The Force of the Virtual responds to this need by investigating the consequences of the philosopher’s interest in (and appeal to) ‘the exact sciences.’ In exploring the problematic relationship between the philosophy of Deleuze and science, the original essays gathered here examine how science functions in respect to Deleuze’s concepts of time and space, how science accounts for processes of qualitative change, how science actively participates in the production of subjectivity, and how Deleuze’s thinking engages neuroscience. All of the essays work through Deleuze’s understanding of the virtual—a force of qualitative change that is ontologically primary to the exact, measurable relations that can be found in and among the objects of science. By adopting such a methodology, this collection generates significant new insights, especially regarding the notion of scientific laws, and compels the rethinking of such ideas as reproducibility, the unity of science, and the scientific observer. Contributors: Manola Antonioli, Collège International de Philosophie (Paris); Clark Bailey; Rosi Braidotti, Utrecht U; Manuel DeLanda, U of Pennsylvania; Aden Evens, Dartmouth U; Gregory Flaxman, U of North Carolina; Thomas Kelso; Andrew Murphie, U of New South Wales; Patricia Pisters, U of Amsterdam; Arkady Plotnitsky, Purdue U; Steven Shaviro, Wayne State U; Arnaud Villani, Première Supérieure au Lycée Masséna de Nice.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Hanjo Berressem establishes the notion of a schizoanalytic ecology as the most consistent conceptual spine of Félix Guattari's work. He covers the whole range of Guattari's solo work and the books co-authored with Gilles Deleuze, primarily a rigorous explication and analysis of 'Schizoanalytic Cartographies'.

This book, the first in a series on this subject, is the outcome of many years of efforts to give a new all-encompassing approach to complex systems in nature based on chaos theory. While maintaining a high level of rigor, the authors avoid an overly complicated mathematical apparatus, making the book accessible to a wider interdisciplinary readership.

In response to Bergson's claim that modern science has not found its metaphysics, Deleuze remarked that it was this metaphysics that particularly interested him. In recent years, as the complexities of Deleuze's work have been critically evaluated, interest has grown in the important part that science and a corresponding metaphysics plays in this work, including the publications that were co-authored with Felix Guattari. Necessarily, much of this critical work has explored the precise nature of Deleuze's expressive materialism. It has been suggested, by Manuel DeLanda for example, that Deleuze's realist ontology has much in common with an intensive science that concentrates on the divergent processes that underpin the extensive world of finished products that we see around us. John Protevi and Mark Bonta have suggested that, in the same way that Kant's Critiques corresponded to a world of Euclidean space, Aristotelian time, and Newtonian physics, so Deleuze's philosophy helps to make sense of the world of fragmented space, twisted time and far-from-equilibrium thermodynamics that science is now exploring. This collection brings together a series of papers that deal with Deleuze and Guattari's treatment of science in A Thousand Plateaus and What is Philosophy?, as well as looking in detail at scientific issues such as emergence, complexity theory, non-linear dynamics, modern mathematics and physics and nanotechnology. As well showing how science functions in Deleuze and Guattari's work, these papers also explore the ways in which Deleuze and Guattari were keenly aware of the related revolutions in physics, biology and information technology that gathered pace in the post-war period. Much exegetical work on Deleuze in recent times has emphasised the importance of the articulation between the virtual and the actual as the key co-ordinates of Deleuze's 'image of thought'. The papers in this collection show just how important science was for Deleuze in elaborating th

Liminality: the state of being ‘betwixt and between’ is one of anthropology’s most influential concepts. This volume reconsiders Victor Turner’s innovative extension of Arnold Van Gennep’s concept of liminality from within the Manchester tradition of Social Anthropology established by Max Gluckman. Turner’s work was grounded in ethnography and engaged with philosophical perspectives in varied socio-historical contexts, extending well-beyond the confines of the anthropology that initially inspired much of his work. Liminality has therefore become a concept with broad interdisciplinary reach. Engaging with topical issues across the globe – from neuroscience to open access publishing and refugee experiences in Europe – this volume launches Turner’s fundamental work into the future.