At Master Dreadthorn's School for Wayward Villains, young villains must learn to be bad. Rune Drexler, Big Bad Wolf Jr., and Jezebel Dracula are feeling pretty good (or bad!) about their evildoer skills. But that was before two new students joined the ranks: Princess Ileana and mad-scientist-in-training, Dodge VonDoe. The new kids have big secrets. One of them is actually a student at Dr. Do-Good's School for Superior Superheroes and he or she is here to take down Master Dreadthorn. Can Rune and Co. protect their school from the superheroes? Everything you know about good and evil is turned upside down in this delightful series where the "bad guys" wind up saving the world . . . reluctantly.

Twelve-year-old Rune Drexler is struggling in his classes at Master Dreadthorn's School for Wayward Villains and will be exiled unless he and his friends, Countess Jezebel Dracula and Big Bad Wolf Junior, can succeed at a nearly impossible Plot.

Thirteen-year-old Danny is astounded when his father decides to send him to Dark Mord Academy to learn to be a villain. Even though being evil doesn't appeal to him, he soon finds himself having to find his inner villian.

THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist. The first in the bestselling series.

Premiering in September of 2006, the weekly NBC television series Heroes was an immediate commercial and critical hit, lasting four successful seasons. Heroes follows a group of interrelated characters who discover they have superhuman powers, with each successive episode exploring how these people react to and utilize their powers for good or for evil. This collection of essays explores a variety of issues surrounding Heroes, examining the series' content, marketing and reception. Also investigated is the show's fusion of "cult" and mainstream elements of television, analyzing its ability to combine so-called lowbrow elements (comic books and superheroes) with a high-quality television form prizing such factors as moral ambiguity and depth of characterization--and what this blending process suggests about the current hybrid state of genre television, and about the medium as a whole.

A Hero Like You looks at everyday heroes and highlights qualities such as loyalty, compassion, resourcefulness, justice, and courage. The lyrical rhyme and relatable illustrations remind us that we all have the opportunity to be a hero by helping others, doing right and making the world a better place. "What the world needs is a hero like you!"

Resigned to a life without superpowers in a world full of them, Jess takes a paid internship where she helps a heinous supervillain and works with her longtime crush, but she soon stumbles on a massive plot.