The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.

A grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era. The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging. Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

In the popular mind, the word "Victorian" still evokes associations of repression, hypocrisy, and prudery. We persist in thinking that the Victorians were perpetually shocked by everything from minor breaches of domestic decorum to ministry-toppling causes célèbres. In examining various Victorian scandals, some familiar, some more obscure, these essays provide lively discussion and diverse points of view on the context, nature, and function of "scandal" in Victorian society, particularly in terms of gender and class. Topics covered include: - women as both victims and beneficiaries of the Victorian legal establishment, demonstrated through divorce petitions, cases of wrongful confinement, and a highly publicized breach of promise suit - the actress in contemporary pornography - the effects on male hegemony of programs of higher education for women - ambivalent reactions to biographies of Thomas Carlyle and George Eliot and to Julia Margaret Cameron's "ennobled" photographic portraits - the surprising toleration of gambling and infanticide. The afterword examines the diverse responses to scandalous behavior from the perspectives of recent critical theory. Taken as a whole, Victorian Scandals illustrates the pervasive role of the contemporary press in rendering private conduct a subject of public fascination and suggests the need to expand the definitions, functions, and interpretations of "scandal" in Victorian society.

The common perception of Britain's Victorian era as one of strict and strait-laced conformity has long been subject to rebuttal, and Robert Bernard Martin's Enter Rumour (1962) was an early and distinguished endeavour in this line. Herein Martin weighs the evidence of four scandalous incidents that aroused great public interest during the first dozen years of Victoria's reign, each of them emanating from 'what the Victorians might have called the higher orders of society.' Martin recounts the sorry tale of Lady Flora Hastings, victim of Court gossip; Lord Eglinton, who tried and failed to revive the medieval tournament; the strange case of the St Cross Hospital Charity; and George Hudson, 'Railway King', whose rise and fall remains a story for our times. Martin examines sources expertly and further explores how three of these scandals were transformed into fiction - by none less than Dickens, Disraeli and Trollope.

"Never has the Victorian novel appeared so perverse as it does in these pages - and never has its perversity seemed so fundamental to its accomplishment. By viewing this fiction alongside the most alarming public scandals of the day, Cohen exposes both the scandalousness of this literature and its sexiness." "In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870-71, from Eliot's and Trollope's novels about scandalous women to Oscar Wilde's writing and his trials for homosexuality. Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature. Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them."--BOOK JACKET.

What constituted a secret or a scandal in times gone by? This entertaining title in this new series gives an overview of the times and attitudes to ‘secrets’, and what was meant by a ‘scandal’. The series uncovers revelations of infidelity, murder, poisonings and corruption. In the context of Victorian propriety the tales in this book are even more startling. Detailing scandalous celebrities and poor ‘unfortunates’. From those upstairs and down, to those dwelling in the slums, they all sampled the same pleasures and sometimes met the same ghastly fate, and the new defamatory popular press gleefully printed the most lurid tales.