This book lays bare the dialogue between Shakespeare and critics of the stage and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theater and its power. These are read against twentieth- and twenty-first-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theater, English literature, history, and culture.

The life story of the irresistibly beautiful love-goddess Venus--sensual, sexy, and seductive--as never told before.

The dark side has infiltrated many governments and much of the world of finance. The mission from Venus threatens their planned takeover of Earth. Failing a takeover, the dark lords will cause the planet's destruction through nuclear war, to prevent Earth from ascending to the fourth dimension on the path of light. The volunteer wanderers are all that stand in the way.

This is the story of Cupid--the god responsible for heartache, sleepless nights, and all those silly love songs—finally getting his comeuppance. When the god of love falls in love himself, things are bound to get interesting. And when he crosses his mama, Venus, in the process . . . Well, things could get downright messy. The much-lauded author of Pharaoh's Daughter and When Dad Killed Mom brings his renowned storytelling skills to one of the world's most famous tales. In doing so he weaves a romantic, hilarious drama brought to life with a bold new voice that's loaded with sly wisdom. Julius Lester's retelling is sure to draw new readers to classic mythology while satisfying old fans as well.

Dominic Baker-Smith has been a leading international authority on humanism for more than four decades, specializing in the works of Erasmus and Thomas More. The present collection of essays by colleagues throughout Europe, Canada, and the United States examines humanism in both its historic sixteenth-century meanings and applications and the humanist tradition in our own time, drawing on his work and that of scholars who have followed him. Contributors include Andrew Weiner, Elizabeth McCutcheon, and Germaine Warkentin. Arthur F. Kinney is Thomas W. Copeland Professor of Literary History at the University of Massachusetts, Amherst. Ton Hoenselaars is Associate Professor of English at the University of Utrecht.

Carson of Venus is the third book in the Venus series (Sometimes called the "Carson Napier of Venus series") by Edgar Rice Burroughs. It was serialized in Argosy in 1938 and published in book form a year later.

A different perspective… Starting in Sultanahmet—the historic peninsula of Istanbul—with an adventure, this novel takes you through a joyous journey in the depths of history. When you become aware that the content of the Sumerian tablet texts are not simply mythical but rather full of information shedding light unto truth, you will have a new perspective on life. This book makes us cognizant of the fact, in all its veracity, that the mistakes humanity has been continuing to make over the course of history, the wars, and the indifferent misuse and overuse of all the sources of nature are bringing the Earth to the edge of becoming an uninhabitable realm; and that the way to stop all this lies in the mercy of humanity’s mind and conscience. I finished reading my father’s book in a breath. Uçan Kuş If you have stumbled upon this book, beware! If you say, “I like stretching the boundaries of my imagination, and I am open to new information and perspectives.”, know that you have caught hold of a very special book, and start reading immediately. Do not read this book if you are not ready to extend the boundaries of your imagination, and if you are not ready for change. This book, which has been fictionalized by the author through his unlimited imagination and rich accumulation of information and knowledge, will be making you surf on the waves of the oceans of history, mythology, astrology, anthropology and sociology, eventually reaching at the current times. Well, it is at that moment that you will start to view the world in a different perspective. Haçe This is an original work of writing in which fantastic literature and myths mingle… This novel, which synthesizes the human history that is laden with mysteries and unknowns with fantastic elements, makes the reader question the validity of what she had been presuming as the truth, making her stupefied, and agitated. As you are strolling through the mysterious labyrinths of the history of humanity in this gripping adventure, which reminds us how little we know about the real story of the planet where we inhabit, your universe of thoughts will broaden, and you will start viewing the history and the myths with a completely different pair of spectacles. The doors to a different perspective on truth will be slit open in your minds… Gezegen