Life is confusing for seventh-grader Maggie, who must track down a missing person and find out who is behind a string of dog eggings at the local dog run, while also dealing with issues involving her brother, two of her friends.

From tracking down her best friend, who’s nowhere to be found, to secretly helping her attorney father solve a missing-person case, Madison Kincaid is a busy seventh-grade sleuth. Teaming up with new classmate Jake, she hits the sidewalks of Portland, Oregon, determined to find out what’s behind two mysterious vanishing acts. In his first book for young readers, New York Times bestselling author Phillip Margolin and his daughter, Ami Margolin Rome, deliver a fast-paced, compelling mystery that’s perfect for reluctant readers and sure to appeal to fans of Masterpiece, The Calder Game, and Theodore Boone: Kid Lawyer.

Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.

Stories by Suzy McKee Charnas, Ted Chiang, Avram Davidson, Karen Joy Fowler, Paul McAuley, Brian Stableford, and others. The theme of this anthology is "endangered species", loosely interpreted to include in some cases the human race. The contents are four excellent reprints and a dozen new stories, including a new novella from Ted Chiang, one of the hottest young story writers in SF. This is a distinguished original anthology fit to put on the shelf beside Starlight.

THE EXPLOSIVE, APOCALYPTIC FIRST THRILLER BY THE AUTHOR OF Acts of Vanishing. The future of humankind rests in the hands of a disgraced military code-breaker and a journalist--his ex-wife. William Sandberg, once a well-respected military cryptologist, is a ruined man. His career is in shambles, his marriage is over, and he's succumbed to a deep depression. But William's talents haven't gone unnoticed. A nameless, top-secret organization abducts him and tasks him with a daunting mission: decode a message that will reveal the disastrous prophecies hidden in our DNA before it is too late. Meanwhile, William's ex-wife Christina sets out to find him. She connects with an eccentric group at a mysterious chateau in the Alps, where the secret organization is plotting the destruction of humankind--unless the ex-lovers can reunite and put a stop to the plan. A thrilling, globe-spanning novel about humanity on the verge of crisis, Chain of Events explodes and then reconfigures the ties that bind us to one another.

From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?