From the bestselling author of Blue Bloods and Witches of East End comes a new novel that explores the battle between good and evil, in the city that never sleeps . . . Vamprires of Manhattan: The New Blue Bloods Coven You'll devour Melissa de la Cruz's hot new adult novel, in which her Blue Bloods immortals have matured and are now exposed to new challenges, new loves, new threats, and a haute, hot hipster lifestyle. It is ten years after the great War with Lucifer, and the Coven has rebuilt. Leader of the Fallen, Oliver Hazard-Perry, plans to celebrate this prosperity by throwing a 400 Year Ball-and all Blue Blood society will be there. And then, all hell breaks loose . . .

Schuyler Van Alen is confused about what is happening to her. Her veins are starting to turn blue, and she's starting to crave raw meat. Soon, her world is thrust into an intricate maze of secret societies and bitter intrigue. Schuyler has never been a part of the trendy crowd at her prestigious New York private school. Now, all of a sudden, Jack Force, the most popular guy in school, is showing an interest in her. And when one of the popular girls is found dead, Schuyler and Jack are determined to get to the bottom of it. Schuyler wants to find out the secrets of the mysterious Blue Bloods. But is she putting herself in danger? Melissa de la Cruz's vampire mythology, set against the glitzy backdrop of New York City, is a juicy and intoxicating read.

Have you ever wondered what secrets lurk behind the closed doors of New York City's wealthiest families? They're powerful, they're famous... they're undead. Schuyler Van Alen's blood legacy has just been called into question—is the young vampire in fact a Blue Blood, or is it the sinister Silver Blood that runs through her veins? As controversy swirls, Schuyler is left stranded in the Force household, trapped under the same roof as her cunning nemesis, Mimi Force, and her forbidden crush, Jack Force. When one of the Gates of Hell is breached by Silver Bloods in Rio de Janeiro, however, the Blue Bloods will need Schuyler on their side. The stakes are high; the battle is bloody; and through it all, Carnavale rages on. And in the end, one vampire's secret identity will be exposed in a revelation that shocks everyone.

Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

An epic paranormal chase thriller set during the Battle of Arras in March 1917. The second book in the multi-award winning Nosferatu Conspiracy series is a gonzo horror mash-up of Gothic fiction, suspense-thriller, and historical fantasy that tells the shocking supernatural cover-up of Kaiser Wilhelm's true intentions for starting World War I. ======================================================================= History states that World War I was triggered by the assassination of Archduke Franz Ferdinand of Austria-Hungary on June 28, 1914, at the hands of the revolutionary group Young Bosnia. Although this is true, traditional historians fail to acknowledge the trove of recovered censored documents citing Franz Ferdinand's murder was a false-flag operation concocted by Kaiser Wilhelm II and a veiled faction of his Prussian Secret Police dedicated solely to occult and paranormal activities. These documents state the Kaiser's true intent was to provoke France into battle for harboring an elusive fugitive wanted by the German Empire--an enigmatic and shadowy figure known in elite intelligence circles as "The Sommelier." Elizabeth Báthory was a Hungarian land baroness who supposedly lived under house arrest in her final years for cannibalizing hundreds of children in the early 1600s. This is in direct contradiction to redacted files obtained by MI6 citing Elizabeth Báthory was far more dangerous than her historical record implies and was also alive well into the early twentieth century. The historical accounts surrounding the German Empire's entrance into World War I and Elizabeth Báthory's death in 1614 are gross falsifications. This is the true story of Kaiser Wilhelm's quest for immortality and global domination through his unholy alliance with the demi-demon Elizabeth Báthory, which ravaged northern France during the Battle of Arras in World War I. History is a lie. The truth will be exposed.

You never forget your first time with a vampire. Whether reaquainting yourself with some of your favourite, sexy creatures of the night or getting bitten by the vampire romance phenomenon for the very first time, let the biggest and brightest names in the business help you explore your dark side. Witness the bewildering array of complex vampire codes of conduct, dark ritual and dating practices as they chat up the locals and engage in the most erotic encounters you will sink your teeth into this side of un-Death. Because vampires never really die, do they?

They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.