“Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written.” ?Whitley Strieber In a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, “Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.” As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband’s bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years—by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic—she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.

The author of Drawing Down the Moon offers a "literate, imaginative, and just plain fascinating” exploration of the enduring allure of vampires (Whitley Strieber, author of The Hunger). Author and NPR correspondent Margot Adler found herself newly drawn to vampire novels while sitting vigil at her dying husband’s bedside. Intrigued by the way this ever-evolving myth lets us contemplate mortality, she embarked on a years-long journey of reading hundreds vampire novels—from teen to adult, from gothic to modern, from detective to comic. She began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, the television show Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. From Bram Stoker to Ann Rice; from vampire detective thrillers to lesbian vampire fiction; and from Buffy the Vampire Slayer to Twilight and True Blood, Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.

Presents a history of vampire lore in America and focuses on its popular culture impact in print and film.

Buffalo, New York--Thundering waterfalls, great sports teams . . . and a treacherous vampire lord who is slowly losing his mind. New York City vampire Rajmund Gregor is the undisputed master of The Big Apple. He bows to no one but his Sire, the Vampire Lord Krystof, who has ruled the Northeast for hundreds of years. But when Krystof summons Rajmund to his headquarters in Buffalo, Raj finds his master slowly descending into madness and his territory crumbling around him. Raj is the only one of Krystof's children strong enough to seize power, but he'll have to save his master before he can destroy him. Several women have gone missing, and the local police are convinced a vampire is behind it. Is Krystof so lost to reality that he's capturing and murdering human women? Is a rogue vampire moving into Krystof's territory for the kill? Or is it something far more insidious, something that could threaten the existence of vampires everywhere? Sarah Stratton is living a lie. Her past holds a secret she shares with no one--not even her good friend Cynthia Leighton, the West Coast vampire lord's mate. It's a secret that could destroy her carefully constructed life as a professor at a Buffalo university. It's also a secret that could save the lives of the missing women. To save them, however, she must enter Buffalo's vampire community and put herself into the care of Rajmund Gregor. But can she trust Raj, the dangerously seductive vampire who wants to lay claim to far more than her secrets?

For centuries, vampires have been the stuff of myth and legend, dreams and nightmares. Now, a journalist and psychic investigator reveals the secret lives of modern-day vampires. Based on interviews and first-person accounts, this book tell of the bizzare double lives of many men and women.